Filed under book | Tags: · african american culture, art criticism, art history, black people, feminism, photography, politics, visual culture
“In her first book about art and the “politics of the visual,” hooks, a writer known for her clarifying views on feminism and black women, addresses the deplorable absence of discourse on black artists, especially by black critics. Why, she asks, has art played a minimal role in the lives of most African Americans? With a firm grasp of the racial and cultural climate in which black aesthetics must grow, hooks offers some astute answers to that question and holds out hope for change. She then hones her aesthetic in her adept interpretations of the work and impact of black artists, including Romare Bearden, Jean-Michel Basquiat, Alison Saar, Felix Gonzalez-Torres, Carrie Mae Weems, Lorna Simpson, and Margo Humphreys. Hooks also discusses portrayals of black women and men in art and, in an essay on photography, how the ‘struggle over images’ became part of the black liberation movement. Art matters, hooks assures us; it helps us forge our identities while forcing society to evolve from being exclusive to inclusive. As erudite and sophisticated as hooks is, she is also eminently readable, even exhilarating.” (Donna Seaman)
Publisher The New Press, New York, 1995
ISBN 1565842634, 9781565842632
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Filed under catalogue | Tags: · 1980s, 1990s, 2000s, alternative culture, art history, culture, design, experimental film, fashion, london, music, performance, photography, post-punk, publishing
“A Journey Through London Subculture: 1980s to Now illustrates a perceived thread of creativity between the post-punk era and the present day.
Gilbert & George, John Maybury, House of Beauty & Culture, Tom Dixon, Jeffrey Hinton, Bodymap, St John, Alexander McQueen, Martino Gamper, Julie Verhoeven, Giles Deacon, Charlie Porter, Chisenhale Gallery, Lucky PDF, Vogue Fabrics Nightclub, Sibling, J W Anderson, Bethan Laura Wood, Matthew Darbyshire and Louise Gray are amongst the 60 figures from London’s scene involved in the project.”
Publisher Institute of Contemporary Arts, London, 2013
Filed under journal | Tags: · art history, central europe, communism, east-central europe, eastern europe, new tendencies, photography, politics, socialism, southeastern europe
“The tensions between actual and ideal versions of socialism elucidated by East German theorist Rudolf Bahro in 1977 are taken as a starting point for reconsidering East European art from the radical effervescence of the 1960s to the post-utopian twilight of the late 1970s. The special issue is premised on the concept that artistic life in Eastern Europe was profoundly shaped by the structures, conventions and workings of the overarching system, with artists and critics compelled to negotiate its productive contradictions. It examines the quotidian functioning of art scenes across the region that entailed the drawing up of tacit compromises and maintenance of calculated ambiguities in relations between party authorities and artists. Ultimately it was the latent and unrealised promise of actually existing socialism as much as its demonstrative failings that marked a crucial difference in the attitude of East European artists to the utopian reverberations of the era.”
With texts by Maja Fowkes & Reuben Fowkes, Tomáš Pospiszyl, Tomasz Załuski, Zsuzsa László, Daniel Grúň, Candice M Hamelin, Hana Buddeus, Alina Șerban, Raino Isto, Sonja Simonyi, Marko Ilić, and Armin Medosch.
Edited by Reuben Fowkes
Publisher Routledge, July 2018
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