Susanne Knaller (ed.): Realität und Wirklichkeit in der Moderne. Texte zu Literatur, Kunst, Fotografie und Film (2013) [German]
Filed under online resource | Tags: · art, art theory, cinema, film, literary theory, literature, media, modernity, philosophy, photography, reality, theory
An online anthology of 78 theoretical and philosophical texts from the last two centuries presenting a range of conceptions of the reality, in particular exploring the ambiguity of the German notions of Realität and Wirklichkeit. The website also allows reading of the texts through occurrences of 40 selected concepts.
Maintained by Karl-Franzens-Universität Graz
Filed under book | Tags: · art history, art theory, museum, painting, philosophy of art, photography, sculpture
“This is not a history of art, but a work on the sculptor’s and painter’s arts of the world by a passionate art lover. The organization is by ideas; the illustrations are drawn from all peoples, countries, and times. Each picture is placed within a page or two of its discussion in the text. As an idea develops, the places and periods of its illustrations wander. The coherence is an inward one, not one of objective order.
Malraux starts from the premise that with the broadening of our knowledge of the world, and especially by the aid of archeology and photography, the many visual arts developed by the human race in its history are now mainly known and accessible. They are as it were in one grand museum without walls–the museum of our cognizance.
Further, they are known to many creative artists, and will be known to more, and will influence them. In other words, the situation no longer exists which has characterized the appearance of most arts heretofore, namely of growing up insulated, in regional solitude and self-sufficiency. From now on, the history of human visual art will be of a new order.
Another idea Malraux develops is that while painting and sculpture do represent objects, the artist, contrary to legend and public opinion, develops his work out of his ability to see–not nature, but his predecessors, and to transcend them. Style is thus a social phenomenon, an interrelation of men through their works.” (from a review by A.L. Kroeber, American Anthropologist, 1957)
Originally published in 3 volumes as Psychologie de l’art, 1947-49, the work had been thoroughly rewritten and published as Les Voix du silence, Gallimard, 1951.
Translated by Stuart Gilbert
First published in English by Doubleday, 1953
Publisher Paladin, UK, 1974
PDF (81 MB, no OCR)Comment (0)
Filed under book | Tags: · advertising, art, art theory, bauhaus, colour, design, light, painting, perception, photography, vision
Noted painter, designer, theoretician Gyorgy Kepes analyzes the effect of visual language on the structure of human consciousness, in particular how the elements of line and form are perceived and how innovative types of perspective can lead to more dynamic representations in art. Over 300 photographs, drawings and illustrations.
With introductory essays by Siegfried Giedion and Samuel Ichiye Hayakawa
First published in 1944
Publisher Paul Theobald, Chicago, 1969
Language of Vision (English, 1944/1969, 33 MB, no OCR)
El Lenguaje de la visión (Spanish, trans. Enrique L. Revol, 1969, added on 2017-6-21 via Valericke)
Sprache des Sehens (German, trans. Renate Pfriem and Almut v. Wulffen, 1971, 20 MB, added on 2019-12-3 via ARCH)