Filed under book | Tags: · art, art history, community art, conceptual art, installation art, performance art, russia
“This book collects more than 150 works of twenty leading artists and groups of Moscow conceptual circle, including Ilya Kabakov, Andrey Monastyrsky, Komar & Melamid, Inspection Medical Hermeneutic, and many others. Many installations, art objects and documentations of performances are published for the first time.”
Essays by Vadim Zakharov, Ekaterina Degot, Andrey Monastyrsky, Boris Groys, a.o.
Works by Yuri Albert, Nikita Alexeev, Sergey Anufriev, Ivan Chuikov, Collective Actions Group, Donskoy–Roshal–Skersis Group, Ilya Kabakov, Yuri Leiderman, Igor Makarevich & Elena Elagina, Inspection Medical Hermeneutics, Komar & Melamid, Andrey Monastyrsky, Sabina Hänsgen & Andrey Monastyrsky, Mukhomor Group, Nikolay Panitkov, Pavel Pepperstein, Victor Pivovarov, Dmitry Prigov, Lev Rubinstein, SZ Group, Vadim Zakharov.
Moskovskii kontseptualizm, a special issue of the World Art Музей (WAM) journal, 15/16
Publisher WAM, Moscow, 2005
Filed under book | Tags: · art history, community, community art, conceptual art, contemporary art, factography, identity, photography, postmodernism, russia, socialist realism, sots art, soviet union, utopia
“In The Museological Unconscious, Victor Tupitsyn views the history of Russian contemporary art through a distinctly Russian lens, a “communal optic” that registers the influence of such characteristically Russian phenomena as communal living, communal perception, and communal speech practices. This way of looking at the subject allows him to gather together a range of artists and art movements–from socialist realism to its “dangerous supplement,” sots art, and from alternative photography to feminism–as if they were tenants in a large Moscow apartment.
Describing the notion of “communal optics,” Tupitsyn argues that socialist realism does not work without communal perception–which, as he notes, does not easily fit into crates when paintings travel out of Russia for exhibition in Kassel or New York. Russian artists, critics, and art historians, having lived for decades in a society that ignored or suppressed avant-garde art, have compensated, Tupitsyn claims, by developing a “museological unconscious”–the “museification” of the inner world and the collective psyche.”
With an Introduction by Susan Buck-Morss and Victor Tupitsyn
Publisher MIT Press, 2009
ISBN 0262201739, 9780262201735
Filed under book | Tags: · city, community, community art, everyday, human rights, india, media, network society, politics, public domain, technology, urbanism
Sarai Reader 07: Frontiers, 2007
Frontiers considers limits, edges, borders and margins of all kinds as the sites for declarations, occasions for conversations, arguments, debates, recounting and reflection. Our book suggests that you consider the frontier as the skin of our time and our world and we invite you to get under the skin of contemporary experience in order to generate a series of crucial (and frequently unsettling) narrative and analytical possibilities.
We have always viewed the Sarai Reader as hospitable to new and unprecedented ideas, as a space of refuge where wayward reflections can meet half forgotten agendas. we hope our text this year sets the stage for a productive encounter with the demand for an account of the boundaries, parameters and verges of our times.
Editors: Monica Narula, Shuddhabrata Sengupta, Jeebesh Bagchi, Ravi Sundaram
Associate Editor: Smriti Vohra
Sarai Reader 06: Turbulence, 2006
Sarai Reader 06 uses ‘Turbulence’ as a conceptual vantage point from which to interrogate all that is in the throes of terminal crisis, and to invoke all that is as yet unborn. It seek to examine ‘turbulence’ as a global phenomenon, unbounded by the arbitrary lines that denote national and state boundaries in a ‘political’ map of the world. It wants to see areas of low and high pressure in politics, economy and culture that transcend borders, to investigate the flow of information and processes between downstream and upstream sites in societies and cultures globally.
Editors: Monica Narula, Shuddhabrata Sengupta, Ravi Sundaram, Jeebesh Bagchi, Awadhendra Sharan + Geert Lovink
Associate Editor: Smriti Vohra
Sarai Reader 05: Bare Acts, 2005
‘Bare Acts’ looks at ‘Acts’- at instruments of legislation, at things within and outside the law, and at ‘acts’ – as different ways of doing things in society and culture. The Reader foregrounds explorations of borders, surveillance, claims to authority and entitlement, the legal regulation of sexuality and trespasses of various kinds.
Editors: Monica Narula, Shuddhabrata Sengupta, Jeebesh Bagchi + Geert Lovink
Guest Editor: Lawrence Liang
Associate Editor: Smriti Vohra
Sarai Reader 04: Crisis / Media, 2004
The 2004 Reader produced by Sarai, is devoted to the dual themes of crisis reporting in the media, and the crisis within the media when it comes to the reportage of violence. Crisis pervades the times we live, and becomes palpable entity in itself. To acknowledge the pervasiveness of the crisis in our times, is also to engage with the media through which crisis, and the representation of crisis, become the ‘substance of our morning’s meditations’.
Editorial collective: Shuddhabrata Sengupta, Monica Narula, Ravi Vasudevan, Ravi Sundaram, Jeebesh Bagchi & Awadhendra Sharan [Sarai] + Geert Lovink
Sarai Reader 03: Shaping Technologies, 2003
“Shaping Technologies ” sets out to ratchet our engagement with the contemporary moment a notch higher, in directions that are sober, exhilarating and discomfiting, all at once. The book brings to the fore a series of situations and predicaments that mark the encounter between people and machines, between nature and culture, and between knowledge and power.
Editorial collective: Ravi Vasudevan, Ravi Sundaram, Jeebesh Bagchi, Monica Narula, Shuddhabrata Sengupta [Sarai], Geert Lovink, Marleen Stikker [Waag]
Sarai Reader 02: The Cities of Everyday Life, 2002
This year’s Sarai Reader brings together a range of critical thinking on urban life and the contemporary, marked by spreading media cultures, new social conflict and globalisation. Scholars, media practitioners, critics and activists use a flow of images, memories and hidden realities to create a fascinating array of original interventions in thinking about cities today. In the context of India, where a large part of this reader has been edited, this is significant, given the frugality of writing on city life in this part of the world.
Editors: Ravi Vasudevan, Ravi Sundaram, Jeebesh Bagchi, Monica Narula, Geert Lovink, Shuddhabrata Sengupta
Sarai Reader 01: The Public Domain, 2001
Sarai Reader 01, (which is the first of what we hope will be more such collections) can be seen both as a navigation log of actual voyages and a map for possible journeys into a real and imagined territory that we have provisionally called the “Public Domain”. This republic without territory is a sovereign entity that comes into being whenever people gather and begin to communicate, using whatever means that they have at hand, beyond the range of the telescope of the merchant, and outside the viewing platform of the microscope of the censor.
Editors: Raqs Media Collective (Sarai) + Geert Lovink (Waag)
Produced at the Sarai Media Lab, DelhiComments Off on Sarai Readers 01-07 (2001-2007)