Filed under book | Tags: · art history, cinema, contemporary art, exhibition, expanded cinema, film, film history, lettrism
“Today, the moving image is ubiquitous in global contemporary art. The first book to tell the story of the postwar expanded cinema that inspired this omnipresence, Between the Black Box and the White Cube travels back to the 1950s and 1960s, when the rise of television caused movie theaters to lose their monopoly over the moving image, leading cinema to be installed directly alongside other forms of modern art.
Explaining that the postwar expanded cinema was a response to both developments, Andrew V. Uroskie argues that, rather than a formal or technological innovation, the key change for artists involved a displacement of the moving image from the familiarity of the cinematic theater to original spaces and contexts. He shows how newly available, inexpensive film and video technology enabled artists such as Nam June Paik, Robert Whitman, Stan VanDerBeek, Robert Breer, and especially Andy Warhol to become filmmakers. Through their efforts to explore a fresh way of experiencing the moving image, these artists sought to reimagine the nature and possibilities of art in a post-cinematic age and helped to develop a novel space between the “black box” of the movie theater and the “white cube” of the art gallery. Packed with over one hundred illustrations, Between the Black Box and the White Cube is a compelling look at a seminal moment in the cultural life of the moving image and its emergence in contemporary art.”
Publisher University of Chicago Press, 2014
ISBN 9780226842981, 0226842983
Reviews: Amanda Egbe (Leonardo, 2014), Rick Sieber (ARLIS/NA Reviews, 2014), Matilde Nardelli (Visual Studies, 2015), Kenneth White (CAA Reviews, 2015), Michael Zryd (Millennium Film Journal, 2015), Riccardo Venturi (Critique d’art, 2016, French).Comment (0)
Filed under book | Tags: · avant-garde, cinema, expanded cinema, experimental film, film
Publication documenting four years of the alternative projections space XSCREEN founded by Birgit and Wilhelm Hein and others in Cologne in 1968.
Reprinted on the occasion of Wilhelm Hein’s You Killed the Underground Film and Bettina Koester’s The Sisters, Amsterdam, March 2012.
Edited by W & B Hein, Christian Michelis, and Rolf Wiest
Publisher Phaidon, Cologne, 1971
Reprinted in Amsterdam, 2012
ISBN 3876350387, 9783876350387
HT FCR, via Sly Pro Potter
Filed under magazine | Tags: · art, avant-garde, cinema, expanded cinema, experimental film, film, fluxus, happening, music, performance
This special issue of 1960s New York’s avant-garde film quarterly is an all Fluxus tabloid newsprint issue featuring George Maciunas, Jonas Mekas, Henry Flynt, Ken Dewey, Gerd Stern, Stan VanDerBeek, Robert Whitman, et al.
From the Introduction: “The purpose of this Special Issue of Film Culture, EXPANDED ARTS, is twofold: a) to give to our readers and idea about what’s going on in the avantgarde arts today, and b) to serve as a sort of catalogue or index to the work of some of the artists involved.
This issue started as an index to the artists working in the area of Expanded Cinema. Only as we went along, our original conception changed and we decided to include all the other arts. EXPANDED ARTS – we intend to come out with other issues–will eventually include all areas of expanded performing arts. This issue, however, is dominated by the Expanded Cinema, Expanded Music, Expanded Gags and Readymades, and some Happenings. And not all of the artists working in those areas are represented. Some of them were simply too bnusy to get the necessary information in time. Many are missing; such as Lucinda Childs, Merce Cunningham, Ken Dewey, Oyvind Fahlstrom, Al Hansen, Allan Kaprow, Claes Oldenburg, Yvonne Rainer, Robert Rauschenberg, Ben Van Meter, Robert Whitman etc.”
Introduction … 1
Expanded Cinema: A Symposium N.Y. Film Festival 1966, panel members: Ken Dewey, Henry Geldzahler, John Gruen, Stan VanDerBeek & Robert Whitman” … 1
Interview with Ken Dewey by Fred Wellington … 2
USCO. Interview with Gerd Stern by Jonas Mekas … 3
The Blue Mouse and the Movie Experience by Sheldon Renan … 4
To Be Alive! and the Multi-Screen Film by Maxine Haleff … 4
Notions on a New Dance Program by Gregory Battcock … 4
Triptape: An Interview with Richard Aldcroft by Gordon Ball … 4
Mock Risk Games – A Psychological Exploration (June 1961-1966) by Henry Flynt … 5
The Images of Robert Whitman by Toby Mussman … 5
Expanded Arts Bourse … 5
Fluxfest … 6
Expanded Arts Diagram by George Maciunas … 7
Movie Journals by Jonas Mekas … 10
Edited by Jonas Mekas
Publisher Film Culture, New York, Winter 1966
Design George Maciunas
12 pages, 56 x 43 cm
via Walker Art Center