Scores (2010–)

29 December 2016, dusan

“With its own publication – Scores – the Tanzquartier Wien is continuing its artistic-theoretical program in another, independent medium. Scores takes artistic research one step further and opens a performative space within the discursive one – in order to facilitate the sustainability of the discourse practised in the house and to serve as an invitation to dialogue.”

Editors (Issue 4): Arno Böhler, Walter Heun, Krassimira Kruschkova, Lejla Mehanović, Sandra Noeth
Publisher Tanzquartier Wien, Vienna
Open access

Publisher

Issue 0, The Skin of Movement: PDF, PDF (2010)
Issue 1, Touché: PDF, PDF (2011)
Issue 2, What Escapes: PDF, PDF (2012)
Issue 3, Uneasy Going: PDF, PDF (2013)
Issue 4, On Addressing: PDF, PDF (2014)
Issue 5, Intact Bodies / Under Protest: PDF, PDF (2016, added on 2017-3-22)
Issue 6, No/Things: PDF, PDF (2017, added on 2017-3-22)

François Laplantine: The Life of the Senses: Introduction to a Modal Anthropology (2005/2015)

4 July 2015, dusan

“Both a vital theoretical work and a fine illustration of the principles and practice of sensory ethnography, this much anticipated translation is destined to figure as a major catalyst in the expanding field of sensory studies.

Drawing on his own fieldwork in Brazil and Japan and a wide range of philosophical, literary and cinematic sources, the author outlines his vision for a ‘modal anthropology’. François Laplantine challenges the primacy accorded to ‘sign’ and ‘structure’ in conventional social science research, and redirects attention to the tonalities and rhythmic intensities of different ways of living. Arguing that meaning, sensation and sociality cannot be considered separately, he calls for a ‘politics of the sensible’ and a complete reorientation of our habitual ways of understanding reality.”

First published as Le social et le sensible: introduction à une anthropologie modale, Téraèdre, Paris, 2005.

Translated by Jamie Furniss
With an Introduction by David Howes
Publisher Bloomsbury, London, 2015
Sensory Studies series, 1
ISBN 1472534808, 9781472534804
xviii+152 pages

Reviews: Claude Rivière (Recherches sociologiques et anthropologiques, 2006, FR), Fabien Pernet (Anthropologie et sociétés, 2006, FR), Georges Bertin (Esprit critique, 2009, FR).

Publisher
WorldCat

PDF (updated on 2016-8-20)

More on François Laplantine and sensory ethnography.

James J. Gibson: The Ecological Approach to Visual Perception (1979–) [EN, RU]

2 March 2015, dusan

“James J. Gibson (1904–1979) is one of the most important psychologists of the 20th century, best known for his work on visual perception. He received his Ph.D. from Princeton University and his first major work was The Perception of the Visual World (1950) in which he rejected behaviorism for a view based on his own experimental work. In his later works, including The Ecological Approach to Visual Perception (1979), Gibson became more philosophical and criticized cognitivism in the same way he had attacked behaviorism before, arguing strongly in favor of direct perception and direct realism, as opposed to cognitivist indirect realism. He termed his new approach ‘ecological psychology’.”

“He moved from thinking about what patterns could act as stimuli to rethinking the concept of the stimulus itself, ultimately rejecting “stimulus” in favor of his version of “information.” In a 1960 paper that is a classic in its own right, Gibson carefully surveyed the patch work of meanings of the term “stimulus” that could be found in the literature. He concluded that the optical (or acoustic, or haptic etc.) patterning that would best correspond to actual perceiving in the world no longer seemed like a “stimulus” at all in any proper sense. Instead, he proposed a common-sense usage of the term “information” (as opposed to the technical usage of Shannon) which was fairly well developed by that time. By information, Gibson meant structured energy that was information about environmental sources, in contrast to information as structure in an information theoretical sense which implies a sender and a receiver. Gibson’s information is specific to its environmental sources though not a replica or a copy. It certainly is not a stimulus in the sense of energy that triggers a response. Gibson’s information does not come to the animal. The animal goes to it, actively obtaining the information. Part 2 of this volume develops this concept of information and is at the heart of Gibson’s theory.” (from the Introduction)

“Gibson’s legacy is increasingly influential on many contemporary movements in psychology, particularly those considered to be post-cognitivist.”

Publisher Houghton Mifflin, Boston, 1979
This edition, Psychology Press, 2014
ISBN 9781315740218
315 pages

Reviews and commentaries: E. Bruce Goldstein (Leonardo, 1981), Frederick A. Jules (1984), A. P. Costall (Journal of the Experimental Analysis of Behavior, 1984), Maurizio Ferraris (1999, IT), William M. Mace (Ethics & the Environment, 2005).

Wikipedia, FR
Publisher
WorldCat

The Ecological Approach to Visual Perception (English, 1979/2014, 4 MB)
Ekologicheskiy podchod k zritelnomu vospriyatiyu (Russian, trans. T.M. Sokolskoy, 1988, 11 MB)

For more on Gibson see Monoskop wiki.