Filed under book | Tags: · aesthetics, fabrication, literary criticism, literary theory, literature, materialism, materials science, nanotechnology, ontology, philosophy, poetics, poetry, technē
“Poetry, or poiēsis, has long been understood as a practice of making. But how are experiments in the making of poetic forms related to formal making in science and engineering? The Limits of Fabrication takes up this question in the context of recent developments in nanoscale materials science, investigating concepts and ideologies of form at stake in new approaches to material construction. Tracing the direct pertinence of fields crucial to the new materials science (nanotechnology, biotechnology, crystallography, and geodesic design) in the work of Shanxing Wang, Caroline Bergvall, Christian Bök, and Ronald Johnson back to the midcentury development of Charles Olson’s ‘objectist’ poetics, Nathan Brown carves out a tradition of constructivist, nonorganic poetics that has developed in conversation with science and engineering.
While proposing a new approach to the relation of technē (craft, skill) and poiēsis (making, forming), this book also intervenes in philosophical debates concerning the concept of the object, the distinction between organic and inorganic matter, theories of self-organization, and the relation between ‘design’ and ‘nature’. Engaging with Heidegger, Agamben, Whitehead, Stiegler, and Nancy, Brown shows that materials science and materialist poetics offer crucial resources for thinking through the direction of contemporary materialist philosophy.”
Publisher Fordham University Press, New York, 2017
ISBN 9780823272990, 0823272990
via Memory of the World
Review: Tom Eyers (boundary2, 2017).
PDF (26 MB)Comment (0)
Filed under book | Tags: · aesthetics, literary criticism, literary theory, literature, poetry
A volume based on a three-day symposium of the same title held at MaMa, Zagreb, in 2015.
Contributions by Thomas Schestag, Branka Arsić, David Wills, Jed Rasula, Marie Gil, Alexi Kukuljevic, Amanda Holmes, Goran Sergej Pristaš, Julie Beth Napolin, Aaron Schuster, Dee Morris & Stephen Voyce, and Nathan Brown.
Publisher Multimedijalni institut, Zagreb, and Centre for Expanded Poetics (Concordia University), Montréal, 2017
Filed under poetry | Tags: · fiction, futurism, language, literary theory, literature, poetics, poetry, theatre, zaum
“Dubbed by his fellow Futurists the “King of Time”, Velimir Khlebnikov (1885–1922) spent his entire brief life searching for a new poetic language to express his convictions about the rhythm of history, the correspondence between human behavior and the “language of the stars.” The result was a vast body of poetry and prose that has been called hermetic, incomprehensible, even deranged. Of all this tragic generation of Russian poets (including Blok, Esenin, and Mayakovsky), Khlebnikov has been perhaps the most praised and the more censured.”
Edited by Charlotte Douglas (1), Ronald Vroon (2-3)
Translated by Paul Schmidt
Publisher Harvard University Press, 1987-98
ISBN 0674140451 (1), 067414046X (2), 0674140478 (3)
xii+452 & xii+403 & x+274 pages