Hans Prinzhorn: Artistry of the Mentally Ill: A Contribution to the Psychology and Psychopathology of Configuration (1922–) [DE, EN]

2 November 2013, dusan

“A book by psychiatrist Hans Prinzhorn, known as the work that inspired the emergence of art brut. It was the first attempt to analyze the drawings of the mentally ill not merely psychologically, but also aesthetically. Prinzhorn presents the works of ten ‘schizophrenic masters’, now housed in Prinzhorn Collection at the University Hospital Heidelberg, with in-depth aesthetic analysis of each and also full-color reproductions of their work.” (Wikipedia)

Publisher Julius Springer, Berlin, 1922
361 pages

English edition
Translated by Eric von Brockdorff from the Second German Edition
With an Introduction by James L. Foy
Publisher Springer, 1972
ISBN 9783662009185
274 pages

Review: Aaron H. Esman (JAPA).

Bildnerei der Geisteskranken (German, JPGs/HTML/PDF, 1922)
Bildnerei der Geisteskranken (German, 5th ed., 1922/1997)
Artistry of the Mentally Ill (English, 18 MB, added on 2016-1-9)

See also John M. MacGregor’s The Discovery of the Art of the Insane (1989).

Viktor Tausk: On the Origin of the “Influencing Machine” in Schizophrenia (1919/1933)

22 October 2012, dusan

“On the Origin of the ‘Influencing Machine’ in Schizophrenia is a highly influential article written by psychoanalyst Viktor Tausk.

The paper describes Tausk’s observations and psychoanalytic interpretation of a type of paranoid delusion that occurs in patients diagnosed with schizophrenia. The delusion often involves their being influenced by a ‘diabolical machine’, just outside the technical understanding of the victim, that influences them from afar. It was typically believed to be operated by a group of people who were persecuting the individual, whom Tausk suggested were “to the best of my knowledge, almost exclusively of the male sex” and the persecutors, “predominantly physicians by whom the patient has been treated”.

These delusions are known in contemporary psychiatry as ‘passivity delusions’ or ‘passivity phenomena’ and are listed among Kurt Schneider’s ‘first rank’ symptoms which are thought to be particularly diagnostic of schizophrenia, and still form some of the core diagnostic criteria.” (from Wikipedia)

Originally published in the journal Internationale Zeitschrift für Psychoanalyse, 1919.
Translated from German by Dorian Feigenbaum
Published in Psychoanalytic Quarterly, 2, 1933, pp 519-556
Republished in Journal of Psychotherapy Practice and Research, Vol 1, No 2, Spring 1992, pp 184-206
Image courtesy Zoe Beloff

artwork by Zoe Beloff inspired by the case (2001)
animated video by Brooke Gladstone and Benjamin Arthur explaining the case (2011)
article by Christopher Turner (Cabinet, 2004)

wikipedia

PDF

Semiotext(e), 3(2): Schizo-Culture (1978)

7 January 2012, dusan

Semiotext(e) began in 1974 as a journal started by French philosopher Sylvère Lotringer in an effort to bridge radical French theory and the intellectual and art worlds of New York City. The original editorial board included ten people, mostly graduate students at Columbia University where Lotringer teaches, who chipped in fifty dollars apiece to get the journal started. They held their first conference in 1975: the Schizo-Culture conference on prisons and madness. Speakers included Gilles Deleuze, Félix Guattari, Michel Foucault, and Jean-François Lyotard, now all staples of the Semiotext(e) backlist.” (from Wikipedia)

With contributions by Kathy Acker, Lee Breuer, William Burroughs, John Cage, David Cooper, Gilles Deleuze, Douglas Dunn, Richard Foreman, Michel Foucault, John Giorno, Phil Glass, Christopher Knowles, Jean-Francois Lyotard, Ulrike Meinhof, Jack Smith, Robert Wilson, and others.

Edited by Sylvère Lotringer
Publisher Semiotext(e), New York, 1978
ISSN 00939579
221 pages

PDF (8 MB, updated on 2013-12-8)

See also Semiotext(e), 3(1): Nietzsche’s Return (1978).