Félix Guattari: The Anti-Œdipus Papers (2006)

1 December 2011, dusan

“‘The unconscious is not a theatre, but a factory,’ wrote Gilles Deleuze and Félix Guattari in Anti-Oedipus (1972), instigating one of the most daring intellectual adventures of the last half-century. Together, the well-known philosopher and the activist-psychiatrist were updating both psychoanalysis and Marxism in light of a more radical and ‘constructivist’ vision of capitalism: ‘Capitalism is the exterior limit of all societies because it has no exterior limit itself. It works well as long as it keeps breaking down.’

Few people at the time believed, as they wrote in the often-quoted opening sentence of Rhizome, that ‘the two of us wrote Anti-Oedipus together.’ They added, ‘Since each of us was several, that became quite a crowd.’ These notes, addressed to Deleuze by Guattari in preparation for Anti-Oedipus, and annotated by Deleuze, substantiate their claim, finally bringing out the factory behind the theatre. They reveal Guattari as an inventive, highly analytical, mathematically-minded ‘conceptor,’ arguably one of the most prolific and enigmatic figures in philosophy and sociopolitical theory today. The Anti-Oedipus Papers (1969-1973) are supplemented by substantial journal entries in which Guattari describes his turbulent relationship with his analyst and teacher Jacques Lacan, his apprehensions about the publication of Anti-Oedipus and accounts of his personal and professional life as a private analyst and codirector with Jean Oury of the experimental clinic Laborde (created in the 1950s).”

Edited by Stéphane Nadaud
Translated by Kélina Gotman
Publisher Semiotext(e), 2006
Foreign Agents series
ISBN 1584350318, 9781584350316
437 pages

Publisher

PDF (updated on 2017-6-26)

Gilles Deleuze: Desert Islands and Other Texts, 1953-1974 (2002/2004)

14 April 2011, dusan

“‘One day, perhaps, this century will be Deleuzian,’ Michel Foucault once wrote. This book anthologizes 40 texts and interviews written over 20 years by renowned French philosopher Gilles Deleuze, who died in 1995. The early texts, from 1953-1966 (on Rousseau, Kafka, Jarry, etc.), belong to literary criticism and announce Deleuze’s last book, Critique and Clinic (1993). But philosophy clearly predominates in the rest of the book, with sharp appraisals of the thinkers he always felt indebted to: Spinoza, Bergson. More surprising is his acknowledgement of Jean-Paul Sartre as his master. ‘The new themes, a certain new style, a new aggressive and polemical way of raising questions,’ he wrote, ‘come from Sartre.’ But the figure of Nietzsche remains by far the most seminal, and the presence throughout of his friends and close collaborators, Felix Guattari and Michel Foucault. The book stops shortly after the publication of Anti-Oedipus, and presents a kind of genealogy of Deleuze’s thought as well as his attempt to leave philosophy and connect it to the outside—but, he cautions, as a philosopher.”

Originally published by Les editions de Minuit, Paris, 2002.

Edited by David Lapoujade
Translated by Mike Taormina
Publisher Semiotext(e), 2004
Foreign Agents series
ISBN 1584350180, 9781584350187
323 pages

Publisher

PDF (updated on 2017-6-26)

Félix Guattari: Chaosophy: Texts and Interviews 1972–1977, new ed. (2008)

5 April 2011, dusan

Chaosophy is an introduction to Félix Guattari’s groundbreaking theories of “schizo-analysis”: a process meant to replace Freudian interpretation with a more pragmatic, experimental, and collective approach rooted in reality. Unlike Freud, who utilized neuroses as his working model, Guattari adopted the model of schizophrenia—which he believed to be an extreme mental state induced by the capitalist system itself, and one that enforces neurosis as a way of maintaining normality. Guattari’s post-Marxist vision of capitalism provides a new definition not only of mental illness, but also of the micropolitical means for its subversion.

Chaosophy includes Guattari’s writings and interviews on the cinema (such as ‘Cinema Fou’ and ‘The Poor Man’s Couch’), a group of texts on his collaborative work with Gilles Deleuze (including the appendix to the second edition of Anti-Oedipus, not available in the English edition), and his texts on homosexuality (including his “Letter to the Tribunal” addressing the French government’s censorship of the special gay issue of Recherches he edited, which earned him a fine for publishing “a detailed exposition of depravity and sexual deviations… the libidinous exhibition of a minority of perverts”). This expanded edition features a new introduction by François Dosse (author of a new biography of Guattari and Gilles Deleuze), along with a range of added essays—including ‘The Plane of Consistency,’ ‘Machinic Propositions,’ ‘Gangs in New York,’ and ‘Three Billion Perverts on the Stand’—nearly doubling the contents of the original edition.”

Edited by Sylvère Lotringer
Introduction by François Dosse
Publisher Semiotext(e), 2008
Foreign Agents series
ISBN 1584350601, 9781584350606
300 pages

Publisher

PDF (updated on 2017-6-26)