Filed under journal | Tags: · cloud computing, data, infrastructure, internet, media, media infrastructure, storage, technology
“This special issue of Culture Machine brings together scholars from a broad range of disciplines such as anthropology, architecture, media and communication studies, and fine arts, who have engaged with data and cloud infrastructures in their academic or artistic work. Taking data centers as technological apparatus as a starting point, this issue aims to discuss the cloud’s philosophical, political, social, and environmental impacts and maps the diverse sociotechnical assemblages which emerge in the course of cloud infrastructuring processes. How do the infrastructures of the cloud integrate into local political contexts and industrial landscapes? How do the cloud’s technologies relate to the emergence of specific forms of subjectivity, sociality, and urbanity? How can the barely visible and secret industrial spaces of the cloud be made visible and opened up for public engagement? And what does the study of data centers tell us about our current social moment?”
Contributions by Adam Fish and Bradley L. Garrett, Alix Johnson, Anthony M Levenda and Dillon Mahmoudi, Vicki Mayer, Matt Parker, Anne Pasek, A.R.E Taylor, Julia Velkova, Asta Vonderau, Sean RM Willett.
Edited by Mél Hogan and Asta Vonderau
Publisher Open Humanities Press, March 2019
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Filed under journal | Tags: · aesthetics, archive, art, art criticism, literary criticism, literature, memory, new media, poetry, preservation, storage
“Against the backdrop of a longstanding practice of erasure both in artistic and critical work, authors in this issue explore the aesthetics of erasure in the digital era, investigating new meanings and the relevance of erasure within contexts of digital production, preservation, and sharing.”
With texts and visual essays by Joshua Craze; Seth Ellis; Kaja Marczewska; Justin Berry; David Gyscek; Derek Beaulieu; Amaranth Borsuk, Jesper Juul, and Nick Montfort; Torsa Ghosal; William Basinski; Ella Klik and Diana Kamin; and Matthew Schilleman.
Guest editors: Paul Benzon and Sarah Sweeney
Publisher New Media Caucus, May 2015
Filed under book | Tags: · archive, art, communication, computing, culture, data, history, information, internet, knowledge, machine, media, media archeology, media studies, media theory, memory, photography, radio, sound, storage, technology, television, temporality, time
“In the popular imagination, archives are remote, largely obsolete institutions: either antiquated, inevitably dusty libraries or sinister repositories of personal secrets maintained by police states. Yet the archive is now a ubiquitous feature of digital life. Rather than being deleted, e-mails and other computer files are archived. Media software and cloud storage allow for the instantaneous cataloging and preservation of data, from music, photographs, and videos to personal information gathered by social media sites.
In this digital landscape, the archival-oriented media theories of Wolfgang Ernst are particularly relevant. Digital Memory and the Archive, the first English-language collection of the German media theorist’s work, brings together essays that present Ernst’s controversial materialist approach to media theory and history. His insights are central to the emerging field of media archaeology, which uncovers the role of specific technologies and mechanisms, rather than content, in shaping contemporary culture and society.
Ernst’s interrelated ideas on the archive, machine time and microtemporality, and the new regimes of memory offer a new perspective on both current digital culture and the infrastructure of media historical knowledge. For Ernst, different forms of media systems—from library catalogs to sound recordings—have influenced the content and understanding of the archive and other institutions of memory. At the same time, digital archiving has become a contested site that is highly resistant to curation, thus complicating the creation and preservation of cultural memory and history. ”
Edited and with an Introduction by Jussi Parikka
Publisher University of Minnesota Press, 2012
Volume 39 of Electronic Mediations
ISBN 0816677670, 9780816677672
For more from Wolfgang Ernst see Monoskop wiki.Comment (0)