O. Bradley Bassler: The Pace of Modernity: Reading with Blumenberg (2012)

Wittgenstein said that philosophers should greet each other, not by saying “hello,” but rather “take your time.” But what is time? Time is money, but this points to an even better answer to this basic question for our modern epoch: time is acceleration. In a cultural system which stresses economic efficiency, the quicker route is always the more prized, if not always the better one. Wittgenstein’s dictum thus constitutes an act of rebellion against the dominant vector of our culture, but as such it threatens to become (quickly) anti-modern. We need an approach to “reading” our information-rich culture which is not reactionary but rather meets its accelerated condition. In this book, O. Bradley Bassler develops a toolkit for acute reading of our modern pace, not through withdrawal but rather through active engagement with a broad range of disciplines. The main characters in this drama comprise a cast of master readers: Hannah Arendt, Jean Starobinski, Harold Bloom, Angus Fletcher, Hans Blumenberg and John Ashbery, with secondary figures drawn from the readers and critics whom this central group suggests. We must develop a vocabulary of pacing, reflecting our modern distance from classical sources and the concomitant acceleration of our contemporary condition. Only in this way can we begin to situate the phenomenon of modernity within the larger scales of human culture and history.

Publisher re.press, Melbourne, August 2012
Anamnesis series
Creative Commons BY-NC-ND 2.5 License
ISBN 0987268236, 9780987268235
226 pages

publisher
google books

PDF

Eugene Thacker: In the Dust of This Planet (2011)

The world is increasingly unthinkable, a world of planetary disasters, emerging pandemics, and the looming threat of extinction. In this book Eugene Thacker suggests that we look to the genre of horror as offering a way of thinking about the unthinkable world. To confront this idea is to confront the limit of our ability to understand the world in which we live – a central motif of the horror genre.

In the Dust of This Planet explores these relationships between philosophy and horror. In Thacker’s hands, philosophy is not academic logic-chopping; instead, it is the thought of the limit of all thought, especially as it dovetails into occultism, demonology, and mysticism. Likewise, Thacker takes horror to mean something beyond the focus on gore and scare tactics, but as the under-appreciated genre of supernatural horror in fiction, film, comics, and music. This relationship between philosophy and horror does not mean the philosophy of horror, if anything, it means the reverse, the horror of philosophy: those moments when philosophical thinking enigmatically confronts the horizon of its own existence. For Thacker, the genre of supernatural horror is the key site in which this paradoxical thought of the unthinkable takes place.

Publisher Zero Books, Winchester, UK / Washington, USA, 2011
Horror of Philosophy vol. 1
ISBN 184694676X, 9781846946769
179 pages

author (Occultural studies blog at Metamute.org)

publisher
google books

PDF (EPUB; updated on 2012-7-25)

Dimitris Vardoulakis (ed.): Spinoza Now (2011)

“What does it mean to think about, and with, Spinoza today? This collection, the first broadly interdisciplinary volume dealing with Spinozan thought, asserts the importance of Spinoza’s philosophy of immanence for contemporary cultural and philosophical debates.

Engaging with Spinoza’s insistence on the centrality of the passions as the site of the creative and productive forces shaping society, this collection critiques the impulse to transcendence and regimes of mastery, exposing universal values as illusory. Spinoza Now pursues Spinoza’s challenge to abandon the temptation to think through the prism of death in order to arrive at a truly liberatory notion of freedom. In this bold endeavor, the essays gathered here extend the Spinozan project beyond the disciplinary boundaries of philosophy to encompass all forms of life-affirming activity, including the arts and literature.

The essays, taken together, suggest that “Spinoza now” is not so much a statement about a “truth” that Spinoza’s writings can reveal to us in our present situation. It is, rather, the injunction to adhere to the attitude that affirms both necessity and impossibility.”

Contributors: Alain Badou, Mieke Bal, Cesare Casarino, Justin Clemens, Simon Duffy, Sebastian Egenhofer, Alexander García Düttmann, Arthur Jacobson, A. Kiarina Kordela, Michael Mack, Warren Montag, Antonio Negri, Christopher Norris, Anthony Uhlmann.

Publisher University of Minnesota Press, 2011
ISBN 0816672814, 9780816672813
384 pages

Review: Sean Grattan (Mediations, 2011).

Publisher

PDF, PDF (updated on 2019-5-12)