Filed under book | Tags: · military, new age, parapsychology, psychology, united states, war on terror
In 1979 a secret unit was established by the most gifted minds within the U.S. Army. Defying all known accepted military practice — and indeed, the laws of physics — they believed that a soldier could adopt a cloak of invisibility, pass cleanly through walls, and, perhaps most chillingly, kill goats just by staring at them.
Entrusted with defending America from all known adversaries, they were the First Earth Battalion. And they really weren’t joking. What’s more, they’re back and fighting the War on Terror.
With firsthand access to the leading players in the story, Ronson traces the evolution of these bizarre activities over the past three decades and shows how they are alive today within the U.S. Department of Homeland Security and in postwar Iraq. Why are they blasting Iraqi prisoners of war with the theme tune to Barney the Purple Dinosaur? Why have 100 debleated goats been secretly placed inside the Special Forces Command Center at Fort Bragg, North Carolina? How was the U.S. military associated with the mysterious mass suicide of a strange cult from San Diego? The Men Who Stare at Goats answers these and many more questions.
Publisher Simon & Schuster, 2005
ISBN 0743241924, 9780743241922
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Filed under book | Tags: · 1920s, art, gender, history, history of, history of technology, life, popular culture
Travel back to the year 1926 and into the rush of experiences that made people feel they were living on the edge of time. Touch a world where speed seemed the very essence of life. It is a year for which we have no expectations. It was not 1066 or 1588 or 1945, yet it was the year A. A. Milne published Winnie-the-Pooh and Alfred Hitchcock released his first successful film, The Lodger. A set of modern masters was at work–Jorge Luis Borges, Babe Ruth, Leni Riefenstahl, Ernest Hemingway, Josephine Baker, Greta Garbo, Franz Kafka, Gertrude Stein, Martin Heidegger–while factory workers, secretaries, engineers, architects, and Argentine cattle-ranchers were performing their daily tasks.
Hans Ulrich Gumbrecht opens up the space-time continuum by exploring the realities of the day such as bars, boxing, movie palaces, elevators, automobiles, airplanes, hair gel, bullfighting, film stardom, dance crazes, and the surprise reappearance of King Tut after a three-thousand-year absence. From the vantage points of Berlin, Buenos Aires, and New York, Gumbrecht ranges widely through the worlds of Spain, Italy, France, and Latin America. The reader is allowed multiple itineraries, following various routes from one topic to another and ultimately becoming immersed in the activities, entertainments, and thought patterns of the citizens of 1926.
We learn what it is to be an “ugly American” in Paris by experiencing the first mass influx of American tourists into Europe. We visit assembly lines which turned men into machines. We relive a celebrated boxing match and see how Jack Dempsey was beaten yet walked away with the hearts of the fans. We hear the voice of Adolf Hitler condemning tight pants on young men. Gumbrecht conveys these fragments of history as a living network of new sensibilities, evoking in us the excitement of another era.
Publisher Harvard University Press, 1997
ISBN 0674000552, 9780674000551
Filed under book | Tags: · capitalism, geography, globalisation, history, neoliberalism, philosophy, political theory, politics, sociology, space, state
One of the most influential Marxist theorists of the twentieth century, Henri Lefebvre pioneered the study of the modern state in an age of accelerating global economic integration and fragmentation. Shortly after the 1974 publication of his landmark book The Production of Space, Lefebvre embarked on one of the most ambitious projects of his career: a consideration of the history and geographies of the modern state through a monumental study that linked several disciplines, including political science, sociology, geography, and history.
State, Space, World collects a series of Lefebvre’s key writings on the state from this period. Making available in English for the first time the as-yet-unexplored political aspect of Lefebvre’s work, it contains essays on philosophy, political theory, state formation, spatial planning, and globalization, as well as provocative reflections on the possibilities and limits of grassroots democracy under advanced capitalism.
State, Space, World is an essential complement to The Production of Space, The Urban Revolution, and The Critique of Everyday Life. Lefebvre’s original and prescient analyses that emerge in this volume are urgently relevant to contemporary debates on globalization and neoliberal capitalism.
Edited by Neil Brenner and Stuart Elden
Translated by Gerald Moore, Neil Brenner, and Stuart Elden
Publisher University of Minnesota Press, 2009
ISBN 081665316X, 9780816653164
Filed under book | Tags: · philosophy
Long recognized as a masterpiece of Nietzsche scholarship, Nietzsche and the Vicious Circle is made available here for the first time in English. Taking a structuralist approach to the relation between Nietzsche’s thought and his life, Pierre Klossowski emphasizes the centrality of the notion of Eternal Return (a cyclical notion of time and history) for understanding Nietzsche’s propensities for self-denial, self-refutation, and self-consumption.
Nietzsche’s ideas did not stem from personal pathology, according to Klossowski. Rather, Nietzsche made a pathological use of his best ideas, anchoring them in his own fluctuating bodily and mental conditions. Thus Nietzsche’s belief that questions of truth and morality are at base questions of power and fitness resonates dynamically and intellectually with his alternating lucidity and delirium.
First published in France in 1969 by Mercure de France, Paris, as Nietzsche et le Cercle Vicieux.
Spanish translation, Nietzsche y el circulo vicioso, by Roxana Páez, published by Editorial Altamira, Buenos Aires, 1995, 251 pages.
English translation by Daniel W. Smith, published by University of Chicago Press, 1997. ISBN 0226443876, 9780226443874, 282 pages.
Filed under book | Tags: · body, economy, life, philosophy, production, sadism, sexuality, value
“Essai littéraire et philosophique. Depuis le milieu du siècle dernier, des anathèmes ont été lancés au nom de la vie affective contre les ravages de la civilisation industrielle. Imputer aux moyens de production une action pernicieuse sur les affects, c’est, sous prétexte de dénoncer son emprise démoralisante, lui reconnaître une puissance morale considérable. D’où lui vient cette puissance ? ” Telle est la question qui traverse de part en part cet essai. L’auteur interroge d’autres écrivains en les citant, illustrant ainsi sa propre pensée. Sade, mais aussi Fourrier, Stendhal, Nietzsche s’expriment sur le processus même de l’émotion voluptueuse lorsque le corps est perçu comme monnaie vivante, objet de troc ou vecteur fantasmatique.
In Living Currency Klossowski draws a parallel between mass industrial production and sadism, between human bodies and currency. He analyzes the impact of industry and exchange on emotional life, and in so doing challenges several fundamental concepts of sexuality and value. This work, published in 1970, has never before appeared in its entirety in English.
Published in French under the title La Monnaie vivante by Editions Joëlle Losfield, Paris, 1970.
Spanish translation by Axel Gasquet, published by Alcion Editora, Cordoba, Argentina, 1998, ISBN 9509402818, 61 pages.
English translation by Jordan Levinson, self-published, May 2012, 32 pages.
Filed under book | Tags: · alchemy, art, art theory, colour, film, light
Chroma is a meditation on the color spectrum by the celebrated late artist and filmmaker Derek Jarman. From the explosions of image and color in In The Shadow of the Sun, The Last of England, The Garden and Wittgenstein, to the somber blacks of his collages and tar paintings, Jarman has consistently used color in unprecedented ways, making his ideas on the subject of interest to filmmakers, film audiences, artists and students alike. Blue, his most personal and innovative film, consists of a compelling soundtrack accompanied by a monochrome blue image and is, among other things, a comment on Jarman’s diminishing eyesight due to AIDS. In his signature style, a lyrical combination of classical theory, anecdote, and poetry, Jarman takes the reader through the spectrum, introducing each color as an embodiment of an emotion, evoking memories or dreams. He explains the use of color in Medieval painting through the Renaissance to the modernists and draws on the great color theorists from Pliny to Leonardo. He writes too about the meanings of color in literature, science, philosophy, psychology, religion and alchemy. Read either as a work on color, or a distillation of Jarman’s artistic vision, Chroma presents an exciting perspective on the subject.
Publisher Overlook Press, Woodstock, New York, 1995
ISBN 0879515740, 978-0879515744
Filed under book | Tags: · 1960s, music, piracy, pirate radio, popular culture, public broadcasting, radio, united kingdom
Was it a non-stop psychedelic party or was there more to pirate radio in the sixties than hedonism and hip radicalism? From Kenny Everett’s sacking to John Peel’s legendary `Perfumed Garden’ show, to the influence of the multi-national ad agencies, and the eventual assimilationof aspects of unofficial pop radio into Radio One, Selling the Sixties examines the boom of private broadcasting in Britain.
Using two contrasting models of pop piracy, Radios Caroline and London, Robert Chapman sets pirate radio in its social and cultural context. In doing so he challenges the myths surrounding its maverick `Kings Road’ image, separating populist consumerism from the economic and political machinations which were the flipside of the pirate phenomenon.
Selling the Sixties includes previously unseen evidence from the pirates’ archives, revealing interviews and an unrivalled selection of rare audio materials.
Publisher Routledge, 1992
ISBN 0415079705, 9780415079709