Filed under magazine | Tags: · art, art criticism, art history, central europe, contemporary art, east-central europe, film, music, outsider art, politics, visual culture
“Since its inception Umelec has remained the only international art magazine in English about contemporary visual culture in Central Europe and beyond. Umelec is dedicated to more focused regional or national issues, and always tries to bring to life the current social-cultural situation, including its more marginal aspects. We do not consider culture as a decoration of the state body, but as one of the most important inspiring values of life, even if it is radical or strange.” (from the publisher)
Publisher: Divus (Ivan Mečl), Prague/London/Berlin
Editor-in-chief: Palo Fabuš; formerly: Lenka Lindaurová and Vladan Šír, Jiří Ptáček, Alena Boika
Graphic design: Dita Lamačová; formerly: Dan Vlček, Ondřej Strnad, Jakub Němeček, Ivan Mečl
View the latest issue (English, HTML), also in German, Czech.
View the issue 2011–2 (English, HTML), also in German, Czech.
View the issue 2011–1 (English, HTML), also in German, Czech.
View previous issues (HTML), incl. Special issues: “Austrian” (2009–1, EN/CZ/DE), “Mexican” (2007–2, EN/CZ/DE/ES), “German” (2005–2, EN/CZ/DE), “Swiss” (2006–2, EN/CZ), “French” (2002–1, EN/CZ). The issues from 2005–3 up to 2009–1 were also published in Spanish.
Filed under book | Tags: · design, graphic design, visual communication, visual culture
In the first decades of the twentieth century, Otto Neurath and Gerd Arntz invented the Vienna Method of Pictorial Statistics [Wiener Bildstatistik]. The method was renamed in the late 1930s as ISOTYPE ―I(nternational) S(ystem) O(f) TY(pographic) P(icture) E(ducation) ―and was used in the 1940s and 1950s in the Netherlands, Great Britain, Greece, the USA and the USSR.
Publisher Kegan Paul, Trench, Trubner & Co., London, 1936
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Katarína Rusnáková (ed.): V toku pohyblivých obrazov: Antológia textov o elektronickom a digitálnom umení v kontexte vizuálnej kultúry (2005) [Slovak]
Filed under book | Tags: · art, art theory, digital art, electronic art, experimental film, media art, new media art, video art, visual culture
Antológia textov o elektronickom a digitálnom umení v kontexte vizuálnej kultúry prináša aktuálne pohľady na mnohotvárnu problematiku súčasného elektronického a digitálneho umenia.
Autori textov: Nora Barry, Tilman Baumgärtel, Ursula Frohne, Sabine Himmelsbach, Verena Kuni, Peter Lunenfeld, Lev Manovich, Simon Penny, Peter Weibel.
Publisher Academy of Fine Arts, Bratislava
ISBN 8088675979, 9788088675976
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Filed under book | Tags: · aesthetics, art, art criticism, art history, popular culture, visual culture
Ways of Seeing is a 1972 BBC four-part television series of 30-minute films created chiefly by writer John Berger and producer Mike Dibb. Berger’s scripts were adapted into a book of the same name. The series and book criticize traditional Western cultural aesthetics by raising questions about hidden ideologies in visual images. The series is partially a response to Kenneth Clark’s Civilisation series, which represents a more traditionalist view of the Western artistic and cultural canon.
The book Ways of Seeing was made by Berger and Dibb, along with Sven Blomberg, Chris Fox, and Richard Hollis. The book consists of seven numbered essays: four using words and images; and three essays using only images. The book has contributed to feminist readings of popular culture, through essays that focus particularly on depictions of women in advertisements and oil paintings. Ways of Seeing is considered a seminal text for current studies of visual culture and art history.
First published in the UK by the BBC and Penguin Books, 1972
Publisher Penguin Books, 1977
Filed under magazine | Tags: · activism, advertising, culture jamming, ecology, graphic design, mass media, occupy movement, politics, protest, visual culture
“Based in Vancouver, British Columbia, Canada, Adbusters is a not-for-profit, reader-supported, 120,000-circulation magazine concerned about the erosion of physical and cultural environments by commercial forces. Our work has been embraced by organizations like Friends of the Earth and Greenpeace, has been featured in hundreds of alternative and mainstream newspapers, magazines, and television and radio shows around the world.
Adbusters offers incisive philosophical articles as well as activist commentary from around the world addressing issues ranging from genetically modified foods to media concentration. In addition, our annual social marketing campaigns like Buy Nothing Day and Digital Detox Week have made us an important activist networking group.
Ultimately, though, Adbusters is an ecological magazine, dedicated to examining the relationship between human beings and their physical and mental environment. We want a world in which the economy and ecology resonate in balance. We try to coax people from spectator to participant in this quest. We want folks to get mad about corporate disinformation, injustices in the global economy, and any industry that pollutes our physical or mental commons.” (source)
Publisher Adbusters, Vancouver, British Columbia, Canada
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