Philippe Aigrain: Sharing: Culture and the Economy in the Internet Age (2012)

3 February 2012, dusan

In the past fifteen years, file sharing of digital cultural works between individuals has been at the center of a number of debates on the future of culture itself. To some, sharing constitutes piracy, to be fought against and eradicated. Others see it as unavoidable, and table proposals to compensate for its harmful effects. Meanwhile, little progress has been made towards addressing the real challenges facing culture in a digital world.

Sharing: Culture and the Economy in the Internet Age offers a counterpoint to the dominant view that file sharing is piracy, analyzing it rather as the modern form of long recognized rights to share in culture. Sharing starts from a radically different viewpoint, namely that the non-market sharing of digital works is both legitimate and useful. Philippe Aigrain looks at the benefits of file sharing, which allows unknown writers and artists to be appreciated more easily. It supports this premise with empirical research, demonstrating that non-market sharing leads to more diversity in the attention given to various works.

Concentrating not only on the cultural enrichment caused by widely shared digital media, Sharing also discusses new financing models that would allow works to be shared freely by individuals without aim at profit. Aigrain carefully balances the needs to support and reward creative activity with a suitable respect for the cultural common good and proposes a new interpretation of the digital landscape.

With contribution of Suzanne Aigrain
Publisher Amsterdam University Press
Creative Commons BY-NC-ND License
ISBN 9789089643858
244 pages

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David Parry (ed.): Ubiquitous Surveillance (2011-)

19 November 2011, dusan

“In 1996 when John Perry Barlow wrote A Cyberspace Independence Declaration, internet pioneers hoped that the online world Bartlow was describing would come to pass. While Barlow’s rhetoric was admittedly ‘grandiose,’ his central claim, that the internet was a place of freedom separate from the limits of the physical world, reflected the utopic atmosphere of the time. The technological revolution, in particular the rise of the digital network, seemed to point to a future ‘where anyone, anywhere may express his or her beliefs, no matter how singular, without fear of being coerced into silence or conformity’ (Barlow, 1996). While not everyone in the late 90s could be characterized as a cyberutopian, the dominant mood harbored a sense that the digital network would bring with it newfound, unregulatable freedoms.” (from Introduction)

Publisher Open Humanities Press
Living Books About Life series

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Gary Hall (ed.): Digitize Me, Visualize Me, Search Me: Open Science and its Discontents (2011-)

11 November 2011, dusan

“One of the aims of the Living Books About Life series is to provide a ‘bridge’ or point of connection, translation, even interrogation and contestation, between the humanities and the sciences. Accordingly, this introduction to Digitize Me, Visualize Me, Search Me takes as its starting point the so-called ‘computational turn’ to data-intensive scholarship in the humanities.

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Publisher Open Humanities Press
Living Books About Life series

View online (wiki/PDF/HTML articles/videos)
PDF (PDF’d Introduction with hyperlinked articles)