The Nineties: A Glossary of Migrations (2019) [Serbian/English]

“The catalogue published to accompany an exhibition on the mass migrations of the population to and from Serbia over the course of the 1990s. The primary concern of the exhibition is to map the different forms of engagement, from the 1990s to the present, which have, in the field of art, activism and civil society, addressed social, cultural, political and legal issues created in these extremely complex and traumatic migration processes.”

Edited by Neda Knežević
Publisher Museum of Yugoslavia, Belgrade, 2019
ISBN 9788684811655
315 pages

Exhibition
Publisher

PDF, PDF (12 MB)

Defiant Muses: Delphine Seyrig and the Feminist Video Collectives in France, 1970s-1980s (2019) [English, Spanish]

“This publication explores the intersection between the histories of cinema, video and feminism in France. Focusing on the emergence of video collectives in the 1970s, the exhibition proposes to reconsider the history of the feminist movement in France through a set of media practices and looks at a network of creative alliances that emerged in a time of political turmoil.”

Contributors: Nataša Petrešin-Bachelez, Giovanna Zapperi, Alexandre Moussa, Ros Murray, François Vergès, Élisabeth Lebovici, Nicole Fernández Ferrer.

Introduction by Nataša Petrešin-Bachelez and Giovanna Zapperi
Publisher Museo Nacional Centro de Arte Reina Sofía (MACBA), Barcelona, 2019
Creative Commons BY-NC-ND 4.0 International License
ISBN 9788480266000, 8480266007 (EN)
231 pages

Exh. review: Mathilde Bartier (AWARE, 2019).

Exhibition
Publisher (EN)
WorldCat (EN)

English: PDF, PDF (20 MB)
Spanish: PDF, PDF (20 MB)

Nato Thompson (ed.): Living as Form: Socially Engaged Art from 1991-2011 (2012)

“Over the past twenty years, an abundance of art forms have emerged that use aesthetics to affect social dynamics. These works are often produced by collectives or come out of a community context; they emphasize participation, dialogue, and action, and appear in situations ranging from theater to activism to urban planning to visual art to health care. Engaged with the texture of living, these art works often blur the line between art and life. This book offers the first global portrait of a complex and exciting mode of cultural production—one that has virtually redefined contemporary art practice.

Living as Form grew out of a major exhibition at Creative Time in New York City. Like the exhibition, the book is a landmark survey of more than 100 projects selected by a thirty-person curatorial advisory team; each project is documented by a selection of color images. The artists include the Danish collective Superflex, who empower communities to challenge corporate interest; Turner Prize nominee Jeremy Deller, creator of socially and politically charged performance works; Women on Waves, who provide abortion services and information to women in regions where the procedure is illegal; and Santiágo Cirugeda, an architect who builds temporary structures to solve housing problems.

Living as Form contains commissioned essays from noted critics and theorists who look at this phenomenon from a global perspective and broaden the range of what constitutes this form.”

Contributing authors: Claire Bishop, Carol Becker, Teddy Cruz, Brian Holmes, Shannon Jackson, Maria Lind, Anne Pasternak, Nato Thompson.

Publisher Creative Time, New York, and MIT Press, 2012
ISBN 9780262017343, 0262017342
259 pages

Reviews: Tom Snow (review31, n.d.), Wendy Vogel (Brooklyn Rail, 2012), Jennie Klein (PAJ, 2015), Kim Yasuda (Public Art Dialogue, 2013), Régine Debatty (We Make Money Not Art, 2012), Mark Gardner (Urban Design Review, 2012), Michael DiRisio (Public Journal, 2014), Danielle Child (Reviews in Culture, 2012), Andreas Hudelist (Theater Forschung, 2014).
Exh. reviews: Jens Hoffmann (Frieze, 2012), Ben Davis (International Socialist Review, 2012), Rachel Daniell (emisferica, 2012).

Project website, incl. Social Practice archive (300+ projects)
Exhibition
Publisher
WorldCat

PDF (19 MB)
Internet Archive (added on 2023-7-7)