Mikkel Bolt, Jakob Jakobsen (eds.): Cosmonauts of the Future: Texts from the Situationist Movement in Scandinavia and Elsewhere (2015)

“This is the first ever English-language anthology collecting texts and documents from the still little-known Scandinavian part of the Situationist movement.

The book covers over three decades of writing, from Asger Jorn’s Luck and Chance published in 1953, to the statements of the Situationist Antinational set up by Jens Jørgen Thorsen and J.V. Martin in 1974. The writings collected gravitate around the year 1962 when the Situationist movement went through it’s most dynamic and critical moments, and the disagreements about the relationship between art and politics came to a culmination, resulting in exclusions and the split of the Situationist International.

The Situationists did not win, and the almost forgotten Scandinavian fractions even less so. The book broadens the understanding of the Situationist movement by bringing into view the wild and unruly activities of the Scandinavian fractions of the organisation and the more artistic, experimental, and actionist attitude that characterised them. They did, nevertheless, constitute a decisive break with the ruling socio-economic order through their project of bringing into being new forms of life. Only an analysis of the multifaceted and often contradictory Situationist revolution will allow us to break away from the dull contemplation of yet another document of Debord’s archive or yet another drawing by Jorn.

There is a lot to be learned from the history of revolutionary failure. It is along these lines that this book points forward beyond the crisis-ridden capitalist order that survives today.”

Texts by Asger Jorn, Jørgen Nash, Jens Jørgen Thorsen, Bauhaus Situationniste, Jacqueline de Jong, Gordon Fazakerley, Gruppe SPUR, Dieter Kunzelman, J.V. Martin, and Guy Debord.

Translated by Peter Shield, James Manley, Anja Buchele, Matthew Hyland, Fabian Tompsett, and Jakob Jakobsen
Publisher Nebula, Copenhagen, in association with Autonomedia, New York, May 2015
This book can be freely pirated and quoted except for the texts covered by copyrights.
ISBN 9788799365180 (Nebula), 9781570273049 (Autonomedia)
304 pages

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See also Bolt, Jakobsen (eds.), Expect Anything Fear Nothing: The Situationist Movement in Scandinavia and Elsewhere, 2011.
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Bernhard Siegert: Cultural Techniques: Grids, Filters, Doors, and Other Articulations of the Real (2015)

“In a crucial shift within posthumanistic media studies, Bernhard Siegert dissolves the concept of media into a network of operations that reproduce, displace, process, and reflect the distinctions fundamental for a given culture. Cultural Techniques aims to forget our traditional understanding of media so as to redefine the concept through something more fundamental than the empiricist study of a medium’s individual or collective uses or of its cultural semantics or aesthetics. Rather, Siegert seeks to relocate media and culture on a level where the distinctions between object and performance, matter and form, human and nonhuman, sign and channel, the symbolic and the real are still in the process of becoming. The result is to turn ontology into a domain of all that is meant in German by the word Kultur.

Cultural techniques comprise not only self-referential symbolic practices like reading, writing, counting, or image-making. The analysis of artifacts as cultural techniques emphasizes their ontological status as “in-betweens,” shifting from first-order to second-order techniques, from the technical to the artistic, from object to sign, from the natural to the cultural, from the operational to the representational.

Cultural Techniques ranges from seafaring, drafting, and eating to the production of the sign-signal distinction in old and new media, to the reproduction of anthropological difference, to the study of trompe-l’oeils, grids, registers, and doors. Throughout, Siegert addresses fundamental questions of how ontological distinctions can be replaced by chains of operations that process those alleged ontological distinctions within the ontic.

Grounding posthumanist theory both historically and technically, this book opens up a crucial dialogue between new German media theory and American postcybernetic discourses.”

Translated by Geoffrey Winthrop-Young
Publisher Fordham University Press, New York, 2015
Meaning Systems series
ISBN 0823263762, 9780823263769
xiv+265 pages

Reviews: Geoghegan (Paragraph, 2014), Young (New Media & Society, 2015).
Commentary: Martin (Grey Room, 2016).

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Bernhard Leitner: P.U.L.S.E.: Spaces in Time / Räume der Zeit (2008) [English/German]

Bernhard Leitner (*1938) is an artist widely known for his sound sculptures and sound installations. P.U.L.S.E. documents a range of his works made between 1999 and 2008.

“Sound spaces are not simply spaces in which sounds can be heard, but rather, where sounds first create the space, shaping its special characteristics. Audio events can create not only a special experience of the external, surrounding space, they can also make it possible to experience physical space as ‘internal’ space. Leitner’s work leads to acoustic qualities (of space) that remain hidden in the stream of stimuli, and it shows us opportunities for sensuous experience that we are barely aware of, since they have been lost or because their potential has remained unrecognized.” (Cathrin Pichler)

Texts by Boris Groys, Detlef B. Linke, Peter Weibel, conversation with the artist by Stefan Fricke.

Publisher Hatje Cantz, Ostfildern, 2008
A ZKM Book
ISBN 9783775720472
208 pages

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