Self-Organisation: Counter-Economic Strategies (2006)

The book Self-organisation / counter-economic strategies was initiated by the artists’ group Superflex, but it is not about them. It is about the many approaches to the creation, dissemination and maintenance of alternative models for social and economic organisation, and the practical and theoretical implications, consequences and possibilities of these self-organised structures. The counter-economic strategies presented here are alternatives to classical capitalist economic organisation that exploit, or have been produced by, the existing global economic system.

Essays by ten writers cover a wide cross-section of activity, from new approaches to intellectual property and the implications of the free/open source software movement to political activism and the de facto self-organisation embodied in informal architecture and the so-called black economy.

Self-organisation/ counter-economic strategies is not a comprehensive overview or an attempt to unify these diverse interpretations. It is intended as a toolbox of ideas, situations and approaches, and includes many practical examples.

Commissioned texts include Will Bradley on GuaranaPower, Anupam Chander & Madhavi Sunder on fan fiction and intellectual property, Bruno Comparato on the Landless Workers’ Movement in Brazil, Mika Hannula on self-organisation and civil society, Alfonso Hernández on the barrio of Tepito in Mexico City, Susan Kelly on “What is to be done?”, Lawrence Lessig on problems with copyright law, Marjetica Potrč on parallelism and fragmentation in the Western Balkans and the EU, and Tere Vadén on the future of information societies, plus interviews with Craig Baldwin (A.T.A. Gallery, Other Cinema), Brett Bloom (Temporary Services, Mess Hall), Sasha Costanza-Chock (Indymedia), Adrienne Lauby (Free Speech Radio News), and Nigel Parry (Electronic Intifada).

Editors Will Bradley, Mika Hannula, Cristina Ricupero, Superflex
Publisher Sternberg Press, 2006
Producer NIFCA, Nordic Institute of Contemporary Arts; with The Academy of Fine Arts, Helsinki; The Van Abbemuseum, Eindhoven; Montana, Denmark
NIFCA publication # 28
Creative Commons Attribution-NonCommercial-ShareAlike Licence 2.5
ISBN 1933128135
336 pages

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Andrew O’Hagan: Julian Assange: The Unauthorised Autobiography (2011)

“In December 2010, Julian Assange signed a contract with Canongate Books to write a book – part memoir, part manifesto – for publication the following year. At the time, Julian said: ‘I hope this book will become one of the unifying documents of our generation. In this highly personal work, I explain our global struggle to force a new relationship between the people and their governments.’

In the end, the work was to prove too personal.

Despite sitting for more than fifty hours of taped interviews discussing his life and the work of WikiLeaks with the writer he had enlisted to help him, Julian became increasingly troubled by the thought of publishing an autobiography. After reading the first draft of the book at the end of March, Julian declared: ‘All memoir is prostitution.’ In June 2011, with thirty-eight publishing houses around the world committed to releasing the book, Julian told us he wanted to cancel his contract.

We disagree with Julian’s assessment of the book. We believe it explains both the man and his work, underlining his commitment to the truth. Julian always claimed the book was well written; we agree, and this also encouraged us to make the book available to readers. And the contract? By the time Julian wanted to cancel the deal he had already used the advance money to settle his legal bills. So the contract still stands. We have decided to honour it – and to publish.

This book is the unauthorised first draft. It is passionate, provocative and opinionated – like its author. It fulfils the promise of the original proposal and we are proud to publish it.” (publisher)

Ghostwritten by Andrew O’Hagan
Publisher Canongate Books, September 2011
ISBN 085786386X, 9780857863867
352 pages

review (David Leigh, Guardian)
review (James Ball, New Statesman)
review (Economist)

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Cory Doctorow: Context: Further Selected Essays on Productivity, Creativity, Parenting, and Politics in the 21st Century (2011)

One of the internet’s most celebrated hi-tech culture mavens returns with this second collection of essays and polemics. Discussing complex topics in an accessible manner, Cory Doctorow’s visions of a future where artists have full freedom of expression is tempered with his understanding that creators need to benefit from their own creations. From extolling the Etsy makerverse to excoriating Apple for dumbing-down technology while creating an information monopoly, each unique piece is brief, witty, and at the cutting edge of tech. Now a stay-at-home dad as well as an international activist, Doctorow writes as eloquently about creating internet, real-time theater with his daughter as he does in lambasting the corporations that want to limit and profit from inherent intellectual freedoms.

Foreword by Tim O’Reilly
Publisher Tachyon Books, October 2011
ISBN 978-1-61696-048-3
Licensed under a Creative Commons Attribution-Noncommercial-ShareAlike license

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