Donna J. Haraway: Staying with the Trouble: Making Kin in the Chthulucene (2016)
Filed under book | Tags: · anthropocene, biology, capitalism, capitalocene, chthulucene, environment, feminism, human, human ecology, multispecies, nature

“In the midst of spiraling ecological devastation, multispecies feminist theorist Donna J. Haraway offers provocative new ways to reconfigure our relations to the earth and all its inhabitants. She eschews referring to our current epoch as the Anthropocene, preferring to conceptualize it as what she calls the Chthulucene, as it more aptly and fully describes our epoch as one in which the human and nonhuman are inextricably linked in tentacular practices. The Chthulucene, Haraway explains, requires sym-poiesis, or making-with, rather than auto-poiesis, or self-making. Learning to stay with the trouble of living and dying together on a damaged earth will prove more conducive to the kind of thinking that would provide the means to building more livable futures. Theoretically and methodologically driven by the signifier SF—string figures, science fact, science fiction, speculative feminism, speculative fabulation, so far—Staying with the Trouble further cements Haraway’s reputation as one of the most daring and original thinkers of our time.”
Publisher Duke University Press, 2016
Experimental Futures series
ISBN 9780822373780, 0822373785
xv+296 pages
Talk (video, 25 min, 2014)
Interview with author: Lauren O’Neill-Butler (Artforum, 2016).
Reviews: Archie Davies (Antipode, 2016), Matt Thompson (Savage Minds, 2016), Ingrid M. Hoofd (Feminist Review, 2017), Devin Proctor (Anthropological Quarterly, 2017), Danya Glabau (J Cultural Economy, 2017), Oliver Basciano (ArtReview, 2017), Ben Denham (Sydney Review of Books, 2017), Juan Guevara (Space and Culture, 2018), Gyrus (Dreamflash, 2018), Luis Campos (Quarterly Review of Biology, 2018), Kaisa Kortekallio (European Journal of Women’s Studies, 2019), Irene Wolfstone (Imaginations, 2019), Thierry Hoquet (Critique, 2019, FR), Doortje Hörst (Junctions, 2019).
HTML (removed on 2017-5-17 upon request from publisher)
Comment (0)NSK from Kapital to Capital: Neue Slowenische Kunst: An Event of the Final Decade of Yugoslavia (2015) [English, Slovenian]
Filed under catalogue | Tags: · appropriation, art, art history, capitalism, politics, retro-avant-garde, theory, utopia, yugoslavia

“The exhibition NSK from Kapital to Capital was the first major museum project of the Neue Slowenische Kunst (NSK) collective, and followed the events of its individual constitutive groups, from 1980 and the Laibach poster scandal in Trbovlje (Slovenia) through 1992, when the art collective transformed into the NSK State in Time. The title, NSK from Kapital to Capital, places the exhibition in the socio-political context of the turbulent 1980s, when the old world order was crumbling and the all-encompassing system of global capitalism was starting to come into its own.”
Publisher Moderna Galerija, Ljubljana, 2015
ISBN 9789612061142
83 pages
via L’Internationale
From Kapital to Capital (English, 2015, 2 MB, PDF)
Od Kapitala do kapitala (Slovenian, 2015, PDF, added on 2017-11-7)
Hito Steyerl: Circulacionismo. Circulationism (2014) [English/Spanish]
Filed under book, catalogue | Tags: · art, capitalism, contemporary art, documentary, image, internet, politics, video

“Using video installations and reflection in essays, Hito Steyerl presents a critical apparatus for analyzing the way in which the images produced by television, cinema and contemporary art are inscribed in a visual and economic regime. These are produced, circulated, distributed and consumed in a framework of audiovisual capitalism and form part of different institutional mechanisms of the art world, including the museum. From this perspective, the images are converted into a vehicle of social relations with an ambivalent status insofar as they are both commodity and means of political statement. A second problem raised by the artist is the truth condition of images. Her work repeatedly makes use of appropriated or poor-quality images, together with documentary-type elements, with the aim of questioning the relationship between documentary, reality and representation.”
This book contains Steyerl’s essays “Too much world: Is the Internet dead?” and “Theodore W. Adorno. Timeline”, and the essay “Weather for Liquidity” by Brian Kuan Wood.
Published on the occasion of the exhibition Hito Steyerl: Circulationism held from 27 September 2014 – 1 March 2015 at MUAC in Mexico City which brought together three of her recent works: Adorno’s Grey (2012), Museum as Battlefield (2012) and Liquidity Inc. (2014).
Publisher Museo Universitario Arte Contemporáneo (MUAC), Universidad Nacional Autónoma de México (UNAM), Mexico City, 2014
Folio MUAC series, 23
ISBN 6070257545, 9786070257544
71 pages