Anne Hollander: Seeing Through Clothes (1978)

29 November 2014, dusan

Seeing Through Clothes is a vivid pictorial history of the changing images of ourselves in fashion. From classical Greek sculpture through the photographs of Avedon, Anne Hollander shows us how art has determined, rather than reflected, our concept of beauty and fashion. She examines the evolution of underclothes, hair as a sexual symbol, the difference between ‘naked’ and ‘nude,’ the role of black clothing, the meaning of mirror images, and how our concept of the perfect figure changes, and thus has altered fashion through the ages.” (from the back cover)

Publisher Avon Books, New York, 1978
ISBN 0380487772
504 pages

Review (Kirkus Reviews, n.d.)
Commentary (Dan Piepenbring, The Paris Review, 2014)
Commentary (Valerie Steele, Artforum, 2014)

WorldCat

PDF (86 MB, no OCR)
PDF (38 MB, OCR’d version via Marcell Mars added on 2014-11-30)

Grey Room 29: New German Media Theory (2007)

15 November 2014, dusan

“If asked for a definition of ‘media,’ the answer given by the authors included in this volume would likely be ‘Es gibt keine Medien’–‘There are no media.’ In 1993, Friedrich Kittler published the essay ‘There Is No Software.’ Three years later, Bernhard Siegert attacked one of the fetishes of the burgeoning German media studies of the 1990s by declaring that ‘There are no mass media.’ Such a dismissal of some of the core concepts of media studies–including any fixed concept of ‘media’ itself may well be the signature of the type of ‘new media theory’ presented by the modest collection of essays in this volume.” (from the Introduction)

With contributions by Eva Horn, Joseph Vogl, Bernhard Siegert, Philipp Sarasin, Herta Wolf, Cornelia Vismann and Markus Krajewski, and Claus Pias.

Edited by Eva Horn
Publisher MIT Press, Fall 2007
ISSN 1526-3819
133 pages

Publisher

Es gibt kein PDF (removed on 2014-11-15 upon request of the publisher)

Amodern, 3: Sport and Visual Culture (2014)

10 November 2014, dusan

“Much of our knowledge of and experience with sport comes to us in mediated form. Newspapers, television broadcasts, film, sports magazines and other sports-related media present us with an unceasing flow of visual, textual and oral information related to sport.

The material included here interrogates the visual in sport as it is tied to politics, economics, identity and embodiment and in so doing brings new questions to sport studies, visual culture studies and related fields. The works offer a range of theoretical and methodological perspectives but all problematize the relationship between sport and its images.” (from the Editorial)

With contributions by Jonathan Finn, Richard Gruneau, Robin Veder, Russell Field, Anu Vaittinen, Lianne McTavish and Patrick J. Reed.

Edited by Jonathan Finn
Publisher Concordia University and Lakehead University, October 2014
Creative Commons Attribution 3.0 Unported License

View online (HTML articles)