Trebor Scholz (ed.): Digital Labor: The Internet as Playground and Factory (2012)

“Digital Labor calls on the reader to examine the shifting sites of labor markets to the Internet through the lens of their political, technological, and historical making. Internet users currently create most of the content that makes up the web: they search, link, tweet, and post updates—leaving their “deep” data exposed. Meanwhile, governments listen in, and big corporations track, analyze, and predict users’ interests and habits.

This unique collection of essays provides a wide-ranging account of the dark side of the Internet. It claims that the divide between leisure time and work has vanished so that every aspect of life drives the digital economy. The book reveals the anatomy of playbor (play/labor), the lure of exploitation and the potential for empowerment. Ultimately, the 14 thought-provoking chapters in this volume ask how users can politicize their troubled complicity, create public alternatives to the centralized social web, and thrive online.”

Contributors: Mark Andrejevic, Ayhan Aytes, Michel Bauwens, Jonathan Beller, Patricia Ticineto Clough, Sean Cubitt, Jodi Dean, Abigail De Kosnik, Julian Dibbell, Christian Fuchs, Lisa Nakamura, Andrew Ross, Ned Rossiter, Trebor Scholz, Tizania Terranova, McKenzie Wark, and Soenke Zehle.

Publisher Routledge, 2012
ISBN 0415896959, 9780415896955
258 pages

Reviews: Sebastian Sevignani (triple C, 2013), Andreas Wittel (Inf, Comm & Soc, 2014), Stephanie Anne Brown (Transformative Works & Cult, 2014), Gregory J. Downey (J Assoc Info Sci & Tech, 2015).

Conference (2009, from Archive.org)
Next conference (14-16 Nov 2014, CfP)
Publisher

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Wolfgang Ernst: Digital Memory and the Archive (2012)

“In the popular imagination, archives are remote, largely obsolete institutions: either antiquated, inevitably dusty libraries or sinister repositories of personal secrets maintained by police states. Yet the archive is now a ubiquitous feature of digital life. Rather than being deleted, e-mails and other computer files are archived. Media software and cloud storage allow for the instantaneous cataloging and preservation of data, from music, photographs, and videos to personal information gathered by social media sites.

In this digital landscape, the archival-oriented media theories of Wolfgang Ernst are particularly relevant. Digital Memory and the Archive, the first English-language collection of the German media theorist’s work, brings together essays that present Ernst’s controversial materialist approach to media theory and history. His insights are central to the emerging field of media archaeology, which uncovers the role of specific technologies and mechanisms, rather than content, in shaping contemporary culture and society.

Ernst’s interrelated ideas on the archive, machine time and microtemporality, and the new regimes of memory offer a new perspective on both current digital culture and the infrastructure of media historical knowledge. For Ernst, different forms of media systems—from library catalogs to sound recordings—have influenced the content and understanding of the archive and other institutions of memory. At the same time, digital archiving has become a contested site that is highly resistant to curation, thus complicating the creation and preservation of cultural memory and history. ”

Edited and with an Introduction by Jussi Parikka
Publisher University of Minnesota Press, 2012
Volume 39 of Electronic Mediations
ISBN 0816677670, 9780816677672
265 pages

Reviews: Liam Cole Young (Reviews in Cultural Theory, 2013), Peter Ward (Information & Culture, 2014).

Worldcat

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For more from Wolfgang Ernst see Monoskop wiki.

Domenico Quaranta, Geraldine Juárez (eds.): The F.A.T. Manual (2013)

“In more than five years of activity, the Free Art and Technology Lab (F.A.T. Lab) produced an impressive series of projects, all developed with open source software, shared online and documented in a way that allows everybody to copy, improve, abuse or simply use them. This approach situates F.A.T. Lab in a long tradition of DIY, processual, sharable artistic practices based on instructionals, and reveals a democratic idea of art where Fluxus scores meet hacker culture (and rap music).

Featuring texts by Régine Debatty, Evan Roth, Domenico Quaranta, Geraldine Juárez and Randy Sarafan, The F.A.T. Manual is a selection of more that 100 projects, done in the belief that printing these bits on paper will allow them to spread in a different way, infiltrate other contexts, and germinate. An archive, a catalogue, a user manual and a software handbook documenting five years of thug life, pop culture and research and development.”

Publisher Link Editions, Brescia, 2013
Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License
ISBN 9781291577914
224 pages

Publisher

PDF, PDF (36 MB, updated on 2024-2-3)