Jason Brownlee: Clever Algorithms: Nature-Inspired Programming Recipes (2011)

“This book provides a handbook of algorithmic recipes from the fields of Metaheuristics, Biologically Inspired Computation and Computational Intelligence that have been described in a complete, consistent, and centralized manner. These standardized descriptions were carefully designed to be accessible, usable, and understandable. Most of the algorithms described in this book were originally inspired by biological and natural systems, such as the adaptive capabilities of genetic evolution and the acquired immune system, and the foraging behaviors of birds, bees, ants and bacteria. An encyclopedic algorithm reference, this book is intended for research scientists, engineers, students, and interested amateurs. Each algorithm description provides a working code example in the Ruby Programming Language.”

First Edition. LuLu. January 2011
Creative Commons Attribution-Noncommercial-Share Alike 2.5 Australia License
ISBN 9781446785065
436 pages

Author (incl. source code and additional resources)
lulu.com

PDF (updated on 2013-3-24)
HTML

John Mullarkey: Post-Continental Philosophy: An Outline (2006)

Post-Continental Philosophy outlines the shift in Continental thought over the last 20 years through the work of four central figures: Gilles Deleuze, Alain Badiou, Michel Henry, and François Laruelle. Though they follow seemingly different methodologies and agendas, each insists on the need for a return to the category of immanence if philosophy is to have any future at all. Rejecting both the German phenomenological tradition of transcendence (of the Ego, Being, Consciousness, Alterity, or Flesh), as well as the French Structuralist valorisation of Language, they instead take the immanent categories of biology (Deleuze), mathematics (Badiou), affectivity (Henry), and axiomatic science (Laruelle) as focal points for a renewal of thought. Consequently, Continental philosophy is taken in a new direction that engages science and nature with a refreshingly critical and non-reductive approach to life, set-theory, embodiment, and knowledge. However, each of these new philosophies of immanence still regards what the other is doing as transcendent representation, raising the question of what this return to immanence really means. John Mullarkey’s analysis provides a startling answer. By teasing out their internal differences, he discovers that the only thing that can be said of immanence without falling back into transcendent representation seems not to be a saying at all but a ‘showing’, a depiction through lines. Because each of these philosophies also places a special value on the diagram, the common ground of immanence is that occupied by the philosophical diagram rather than the word. The heavily illustrated final chapter of the book literally outlines how a mode of philosophical discourse might proceed when using diagrams to think immanence.

Publisher Continuum International Publishing Group, 2006
Transversals: New Directions in Philosophy series
ISBN 0826464610, 9780826464613
260 pages

publisher
google books

PDF (updated on 2012-9-6)

Iannis Xenakis: Formalized Music: Thought and Mathematics in Composition (1963–) [French, English]

In this landmark book Iannis Xenakis offers a critical self-examination of his theoretical propositions and artistic output of the thirty-five years of his career. It is an essential tool for understanding the man and the thought processes of one of this century’s most important and revolutionary musical figures.

Publisher Richard Masse, Paris, 1963
232 pages

English edition
First published by Indiana University Press, 1971.
Additional material compiled and edited by Sharon Kanach
Publisher Pendragon Press, Stuyvesant/NY, 1992
Contains translations of 6 chapters from the 1963 French edition, 3 chapters and 2 appendices added to the 1971 English edition, and another 4 chapters and 1 appendix added for this edition.
Volume 6 of Harmonologia series
ISBN 0945193246
387 pages

Publisher (EN)

Musiques formelles. Noveaux principes formels de composition musicale (French, 1963, 17 MB, added on 2012-2-17; updated on 2014-2-28), Chapter PDFs (at Iannis-Xenakis.org, added on 2014-11-11)
Formalized Music: Thought and Mathematics in Composition (English, 1971/1992, no OCR; updated on 2012-8-3)