Boris N. Malinovsky: Pioneers of Soviet Computing (1995–) [RU, EN]

Boris N. Malinovsky’s Pioneers of Soviet Computing is the English language version of his earlier Russian language The History of Computing in Personalities (in Russian: История Вычислительной Техники в Лицах). Partly technical history and partly a memoir, it is the only existing first person account of the birth of modern computing in Russia, Ukraine, and Belarus. It chronicles the life and work of renowned Soviet computer scientists S.A. Lebedev, V.M. Glushkov, N.P. Brusentsov, I.S. Brook, and many others. It describes numerous indigenous and original Soviet computer hardware projects from the end of the Second World War through the decades that followed, interlaced with commentary on the Soviet political and social systems that constrained rapid and free technological advancement. In addition, this work reviews the various Russian and Ukrainian computing schools ranging from the highly philosophical cybernetics and artificial intelligence to the applied defense computing institutions supporting the military and weapons enterprises. The epic effort to mass produce the Unified System (ES) series of computers – based on the IBM 360 design – is described in depth, along with the political and bureaucratic intrigue and personal and technological struggles that accompanied.

Subjects: Soviet Union, USSR, Electronic Computing, Science, Defense, MESM, BESM, ES, Elbrus, Setun, Cybernetics, Control Computers, Ternary.

Publisher KIT, Kiev, 1995
ISBN 5770761318
384 pages

English edition
Edited by Anne Fitzpatrick
Translated by Emmanuel Aronie
Editorial consultant: Kate Maldonado
First published in 2006
Published electronically by SIGCIS, 2010
Creative Commons license BY-ND 3.0

Authors (via Internet Archive)
Publisher (EN)
via Aymeric Mansoux

Istroiya vychislitelnoy techniki v litsach (Russian, 1995, HTML, added on 2015-1-13)
, Pioneers of Soviet Computing (English, 2nd ed., 2006/2010)

Fred Turner: From Counterculture to Cyberculture. Stewart Brand, the Whole Earth Network and the Rise of Digital Utopianism (2006)

“In the early 1960s, computers haunted the American popular imagination. Bleak tools of the cold war, they embodied the rigid organization and mechanical conformity that made the military-industrial complex possible. But by the 1990s—and the dawn of the Internet—computers started to represent a very different kind of world: a collaborative and digital utopia modeled on the communal ideals of the hippies who so vehemently rebelled against the cold war establishment in the first place.

From Counterculture to Cyberculture is the first book to explore this extraordinary and ironic transformation. Fred Turner here traces the previously untold story of a highly influential group of San Francisco Bay–area entrepreneurs: Stewart Brand and the Whole Earth network. Between 1968 and 1998, via such familiar venues as the National Book Award–winning Whole Earth Catalog, the computer conferencing system known as WELL, and, ultimately, the launch of the wildly successful Wired magazine, Brand and his colleagues brokered a long-running collaboration between San Francisco flower power and the emerging technological hub of Silicon Valley. Thanks to their vision, counterculturalists and technologists alike joined together to reimagine computers as tools for personal liberation, the building of virtual and decidedly alternative communities, and the exploration of bold new social frontiers.

Shedding new light on how our networked culture came to be, this fascinating book reminds us that the distance between the Grateful Dead and Google, between Ken Kesey and the computer itself, is not as great as we might think.”

Publisher University of Chicago Press, 2006
ISBN 0226817415, 9780226817415
x+327+16 pages

Review: Samuel Goëta (Questions de communication, 2013, FR).

Publisher
WorldCat

PDF (updated 2019-2-25)

Niklas Luhmann: Art as a Social System (1995/2000)

This is the definitive analysis of art as a social and perceptual system by Germany’s leading social theorist of the late twentieth century. It not only represents an important intellectual step in discussions of art—in its rigor and in its having refreshingly set itself the task of creating a set of distinctions for determining what counts as art that could be valid for those creating as well as those receiving art works—but it also represents an important advance in systems theory.

Returning to the eighteenth-century notion of aesthetics as pertaining to the “knowledge of the senses,” Luhmann begins with the idea that all art, including literature, is rooted in perception. He insists on the radical incommensurability between psychic systems (perception) and social systems (communication). Art is a special kind of communication that uses perceptions instead of language. It operates at the boundary between the social system and consciousness in ways that profoundly irritate communication while remaining strictly internal to the social.

In seven densely argued chapters, Luhmann develops this basic premise in great historical and empirical detail. Framed by the general problem of art’s status as a social system, each chapter elaborates, in both its synchronic and diachronic dimensions, a particular aspect of this problem. The consideration of art within the context of a theory of second-order observation leads to a reconceptualization of aesthetic form. The remaining chapters explore the question of the system’s code, its function, and its evolution, concluding with an analysis of “self-description.”

Art as a Social System draws on a vast body of scholarship, combining the results of three decades of research in the social sciences, phenomenology, evolutionary biology, cybernetics, and information theory with an intimate knowledge of art history, literature, aesthetics, and contemporary literary theory. The book also engages virtually every major theorist of art and aesthetics from Baumgarten to Derrida.

Originally published in German in 1995 under the title Die Kunst der Gesellschaft, Suhrkamp, Frankfurt am Main

Translated by Eva M Knodt
Publisher Stanford University Press, 2000
Meridian: Crossing Aesthetics series
ISBN 0804739072, 9780804739078
422 pages

Publisher
Google books

PDF (updated on 2012-7-17)