Manuel Castells: The Power of Identity: The Information Age: Economy, Society, and Culture, 2nd ed. (2009)
Filed under book | Tags: · economy, globalisation, identity, information society, network culture, networks, politics, social movements, technology, terrorism, women
In this second volume of The Information Age trilogy, with an extensive new preface following the recent global economic crisis, Manuel Castells deals with the social, political, and cultural dynamics associated with the technological transformation of our societies and with the globalization of the economy.
* Extensive new preface examines how dramatic recent events have transformed the socio-political landscape of our world
* Applies Castells’ hypotheses to contemporary issues such as Al Qaeda and global terrorist networks, American unilateralism and the crisis of political legitimacy throughout the world
* A brilliant account of social, cultural, and political conflict and struggle all over the world
* Analyzes the importance of cultural, religious, and national identity as sources of meaning for people, and its implications for social movement
* Throws new light on the dynamics of global and local change
Publisher John Wiley and Sons, 2009
Information Age Series, Manuel Castells
ISBN 1405196874, 9781405196871
Length 584 pages
Judy Malloy (ed.): Women, Art, and Technology (2003)
Filed under book | Tags: · collaborative art, computer graphics, electronic art, gender, installation art, interactivity, mass media, media, media art, net art, performance, performance art, technology, video art, women
“Although women have been at the forefront of art and technology creation, no source has adequately documented their core contributions to the field. Women, Art, and Technology, which originated in a Leonardo journal project of the same name, is a compendium of the work of women artists who have played a central role in the development of new media practice. The book includes overviews of the history and foundations of the field by, among others, artists Sheila Pinkel and Kathy Brew; classic papers by women working in art and technology; papers written expressly for this book by women whose work is currently shaping and reshaping the field; and a series of critical essays that look to the future.
Artist contributors include computer graphics artists Rebecca Allen and Donna Cox; video artists Dara Birnbaum, Joan Jonas, Valerie Soe, and Steina Vasulka; composers Cecile Le Prado, Pauline Oliveros, and Pamela Z; interactive artists Jennifer Hall and Blyth Hazen, Agnes Hegedus, Lynn Hershman, and Sonya Rapoport; virtual reality artists Char Davies and Brenda Laurel; net artists Anna Couey, Monika Fleischmann and Wolfgang Strauss, Nancy Paterson, and Sandy Stone; and choreographer Dawn Stoppiello. Critics include Margaret Morse, Jaishree Odin, Patric Prince, and Zoe Sofia.”
Foreword by Pat Bentson
Publisher MIT Press, 2003
ISBN 0262134241, 9780262134248
541 pages
PDF (6 MB, updated on 2020-4-23)
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