Journal of Digital Humanities 1:1 (2012)
Filed under journal | Tags: · code, digital humanities, software, theory, writing
The Journal of Digital Humanities is a comprehensive, peer-reviewed, open access journal that features the best scholarship, tools, and conversations produced by the digital humanities community in the previous quarter.
The journal offers expanded coverage of the digital humanities by publishing scholarly work beyond the traditional research article, selecting content from open and public discussions in the field, and by encouraging continued discussion through peer-to-peer review.
Contributions by Tim Hitchcock, Trevor Owens, Scott Weingart, Chad Black, Marc Downie and Paul Kaiser, Jeremy Boggs, Alison Booth, Daniel J. Cohen, Mitchell S. Green, Anne Houston, and Stephen Ramsay, Nik Honeysett and Michael Edson, Fred Gibbs, Natalia Cecire, Benjamin M. Schmidt, William G. Thomas, Jean Bauer, Patrick Murray-John, Elijah Meeks, Tom Scheinfeldt and Ryan Shaw, Mark Sample, Alexis Lothian, Peter Bradley, Tim Sherratt, Moya Z. Bailey, Amy Earhart, Boone B. Gorges, Jeremy Boggs, David McClure, Eric Rochester, and Wayne Graham
Vol. 1, No. 1, Winter 2011
Editors: Daniel J. Cohen, Joan Fragaszy Troyano
Associate Editors: Sasha Hoffman, Jeri Wieringa
Publisher Roy Rosenzweig Center for History and New Media, April 2012
ISSN 2165-6673
more information (digitalhumanitiesnow.org)
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Computational Culture, a Journal of Software Studies, Issue One: A Billion Gadget Minds (2011)
Filed under journal | Tags: · cognition, hardware, machine, networks, neuroaesthetics, software, software studies
Computational Culture is an online open-access peer-reviewed journal of inter-disciplinary enquiry into the nature of cultural computational objects, practices, processes and structures.
“This first issue of Computational Culture is loosely based on the proceedings of a workshop held in Central London in October 2010. Entitled ‘A Billon Gadgets Minds: Thinking Widgets, Data and Workflow’, the aim of the workshop was: “To evaluate the ways in which contemporary hardware and software augment and distribute intelligence, as well as the ensemble of social relations which form around thinking practices as they synchronise, mesh, de-couple, breakdown and collapse with variable effects”.” (from Editorial)
With contributions by Michael Wheeler, Anna Munster, Ingmar Lippert, Luciana Parisi and Stamatia Portanova, Lev Manovich, Yuk Hui, Benedikte Zitouni, Michael Batty, Olga Goriunova, Jentery Sayers, M. Beatrice Fazi
Editorial group: Matthew Fuller, Andrew Goffey, Olga Goriunova, Graham Harwood, Adrian Mackenzie
Published in December 2011
Open access
ISSN 2047-2390
GLI.TC/H 20111 Reader[r0r] (2012)
Filed under book | Tags: · art, code, code poetry, error, glitch, glitch art, glitch poetry, noise, signal processing, software
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A selection of texts from authors and artists about digital decay, signal interruption, system collapse, and failure.
GLI.TC/H is a physical and virtual assembly of artists, hackers, moshers, dirty mediators, noise makers, circuit benders, p/h/i/l/o/s/o/p/h/e/r/s, and those who find wonder in that which others call broken.
GLI.TC/H is an annual international noise && [dirty] new-media event/conference/symposium/festival/gathering for makers and breakers.
With contributions by Tom McCormack, Curt Cloninger, Jon Satrom, Nick Briz, Rosa Menkman, Iman Moradi, Hannah Piper Burns, Evan Meaney, Channel TWo, Mez, Jon Cates, Matthew Fuller, JODI, Alexander Galloway, A Bill Miller, Laimonas Zakas, Iman Moradi
Editors: Nick Briz, Evan Meaney, Rosa Menkman, William Robertson, Jon Satrom, Jessica Westbrook
Publisher: Unsorted Books, February 2012
ISBN: 978-4-9905200-1-4
Copy<it>right license, copying/sharing is encouraged/appreciated
61 pages
authors
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