André Jolles: Einfache Formen: Legende, Sage, Mythe, Ratsel, Spruch, Kasus, Memorabile, Marchen, Witz (1930–) [DE, ES]

Das grundlegende Konzept des Buches ist auch 50 Jahre nach Erscheinen der ersten Auflage immer noch gultig: Die Herausarbeitung der bestimmenden Konturen erzahlerischer Grundformen, die vom Autor als morphologische “Urformen” – im goetheschen Sinn – verstanden werden. In ihrer meist anonymen Erscheinungsweise nehmen sie eine Zwischenstellung zwischen “volkstumlicher” und “literarischer” Dichtung ein, was sich auch in ihrer Erforschung durch die volkskundliche und die literaturwissenschaftliche Disziplin ausdruckt.

First published in 1930
Publisher Max Niemeyer, Tübingen, 1968
272 pages

Fredric Jameson on Jolles in Brecht and Method
Wikipedia (DE)

Einfache Formen (German, 4th Edition, 1930/1968, via dbnl.org)
Einfache Formen (German, 1930/1969, no OCR)
Las formas simples (Spanish, trans. Rosemarie Kempf Titze, 1972, via Perseguidor)

Hal Foster (ed.): The Anti-Aesthetic: Essays on Postmodern Culture (1983)

“A collection of late-twentieth-century cultural criticism, named a Best Book of the Year by the Village Voice. In The Anti-Aesthetic, critics such as Jean Baudrillard, Rosalind Krauss, Fredric Jameson, and Edward Said consider the full range of postmodern cultural production, from the writing of John Cage, to Cindy Sherman’s film stills, to Barbara Kruger’s collages. The book provides an introduction for newcomers and a point of reference for those already engaged in discussions of postmodern art, culture, and criticism.”

With essays by Jean Baudrillard, Douglas Crimp, Kenneth Frampton, Jurgen Habermas, Fredric Jameson, Rosalind Krauss, Craig Owens, Edward W. Said, and Gregory L. Ulmer.

Edited and with an Introduction by Hal Foster
Publisher Bay Press, Port Townsend, WA, 1983
ISBN 0941920011, 9780941920018
xvi+159 pages

Reviews: Dana Polan (New German Critique, 1984), Laura Kipnis (Minnesota Review, 1984).

PDF (15 MB, updated on 2015-5-5)

Richard Noble (ed.): Utopias (2009)

“Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new. Contemporary art reflects this general ambivalence. The utopian impulse informs politically activist and relational art, practices that fuse elements of art, design, and architecture, and collaborative projects aspiring to progressive social or political change. Two other tendencies have emerged in recent art: a looking backward to investigate the utopian elements of previous eras, and the imaginative modeling of alternative worlds as intimations of possibility. This anthology contextualizes these utopian currents in relation to political thought, viewing the utopian as a key term in the artistic lineage of modernity. It illuminates how the exploration of utopian themes in art today contributes to our understanding of contemporary cultures, and the possibilities for shaping their futures.”

Artists surveyed include: Joseph Beuys, Paul Chan, Guy Debord, Jeremy Deller, Liam Gillick, Antony Gormley, Dan Graham, Thomas Hirschhorn, Ilya and Emilia Kabakov, Bodys Isek Kingelez, Paul McCarthy, Constant A. Nieuwenheuys, Paul Noble, Nils Norman, Philippe Parreno, Pil and Galia Kollectiv, Superflex, Rirkrit Tiravanija, Mark Titchner, Atelier van Lieshout, Jeff Wall, Andy Warhol, Wochenklauser, Carey Young

Writers include: Theodor Adorno, Jennifer Allen, Catherine Bernard, Ernst Bloch, Yve-Alain Bois, Nicolas Bourriaud, Benjamin H.D. Buchloh, Alex Farquharson, Hal Foster, Michel Foucault, Alison Green, Fredric Jameson, Rosalind Krauss, Hari Kunzru, Donald Kuspit, Dermis P. Leon, Karl Marx, Jeremy Millar, Thomas More, William Morris, Molly Nesbit, Hans Ulrich Obrist, George Orwell, Jacques Rancière, Stephanie Rosenthal, Beatrix Ruf

Publisher MIT Press; with Whitechapel Gallery, London, 2009
Documents of Contemporary Arts series
ISBN 0262640694, 9780262640695
238 pages

Publisher

PDF (no OCR; updated on 2023-6-30)