Renzo Dubbini: Geography of the Gaze: Urban and Rural Vision in Early Modern Europe (1994/2002)

Geography of the Gaze offers a new history and theory of how the way we look at things influences what we see. Focusing on Western Europe from the seventeenth to nineteenth centuries, Renzo Dubbini shows how developments in science, art, mapping, and visual epistemology affected the ways natural and artificial landscapes were perceived and portrayed.

He begins with the idea of the “view,” explaining its role in the invention of landscape painting and in the definition of landscape as a cultural space. Among other topics, Dubbini explores how the descriptive and pictorial techniques used in mariners’ charts, view-oriented atlases, military cartography, and garden design were linked to the proliferation of highly realistic paintings of landscapes and city scenes; how the “picturesque” system for defining and composing landscapes affected not just art but also archaeology and engineering; and how the everchanging modern cityscapes inspired new ways of seeing and representing the urban scene in Impressionist painting, photography, and stereoscopy. A marvelous history of viewing, Geography of the Gaze will interest everyone from scientists to artists.

Originally published as Geografie dello sguardo: Visione e paesaggio in età moderna, Giulio Einaudi, Torino, 1994
Translated by Lydia G. Cochrane
Publisher University of Chicago Press, 2002
ISBN 0226167372, 9780226167374
251 pages

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Stephen Toulmin: Cosmopolis: The Hidden Agenda of Modernity (1990/1992)

In the seventeenth century, a vision arose which was to captivate the Western imagination for the next three hundred years: the vision of Cosmopolis, a society as rationally ordered as the Newtonian view of nature. While fueling extraordinary advances in all fields of human endeavor, this vision perpetuated a hidden yet persistent agenda: the delusion that human nature and society could be fitted into precise and manageable rational categories. Stephen Toulmin confronts that agenda—its illusions and its consequences for our present and future world.

Originally published by Free Press, New York, a division of Macmillan, 1990
Publisher University of Chicago Press, 1992
ISBN 0226808386, 9780226808383
240 pages

review (Quentin Skinner, The New York Review of Books)

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John Edward Fletcher: A Study of the Life and Works of Athanasius Kircher, ‘Germanus Incredibilis’: With a Selection of his Unpublished Correspondence and an Annotated Translation of his Autobiography (2011)

Athanasius Kircher, a German Jesuit in 17th-century Rome, was an enigma. Intensely pious and a prolific author, he was also a polymath fascinated with everything from Egyptian hieroglyphs to the tiny creatures in his microscope.

His correspondence with popes, princes and priests was a window into the restless energy of the period. It showed first-hand the seventeenth-century’s struggle for knowledge in astronomy, microscopy, geology, chemistry, musicology, Egyptology, horology.. The list goes on.

Kircher’s books reflect the mind-set of 17th-century scholars – endless curiosity and a substantial larding of naiveté: Kircher scorned alchemy as the wishful thinking of charlatans, yet believed in dragons.

His life and correspondence provide a key to the transition from the Middle Ages to a new scientific age. This book, though unpublished, has been long quoted and referred to. Awaited by scholars and specialists of Kircher, it is finally available with this edition.

Edited for publication by Elizabeth Fletcher
Editorial adjustment for the Aries Book Series by Garry Trompf
Publisher Brill, Leiden/Boston, 2011
Volume 12 of Aries Book Series
ISBN 9004207120, 9789004207127
656 pages

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