Karla Jasso, Daniel Garza Usabiaga (eds.): (Ready) Media: Hacia una arqueología de los medios y la invención en México (2012) [Spanish]

A book published to accompany an exhibition on media archaeology in Mexico.

Publisher Instituto Nacional de Bellas Artes y Literatura, Mexico City, 2012
ISBN 9786076050132, 6076050136
519 pages
via Román Luján‏

Publisher (incl. information about the accompanying set of 6 DVDs)
WorldCat

PDF (143 MB)

R. Bruce Elder: Dada, Surrealism, and the Cinematic Effect (2013)

“This book deals with the early intellectual reception of the cinema and the manner in which art theorists, philosophers, cultural theorists, and especially artists of the first decades of the twentieth century responded to its advent. While the idea persists that early writers on film were troubled by the cinema’s lowly form, this work proposes that there was another, largely unrecognized, strain in the reception of it. Far from anxious about film’s provenance in popular entertainment, some writers and artists proclaimed that the cinema was the most important art for the moderns, as it exemplified the vibrancy of contemporary life.

This view of the cinema was especially common among those whose commitments were to advanced artistic practices. Their notions about how to recast the art media (or the forms forged from those media’s materials) and the urgency of doing so formed the principal part of the conceptual core of the artistic programs advanced by the vanguard art movements of the first half of the twentieth century. This book, a companion to the author’s previous, Harmony & Dissent, examines the Dada and Surrealist movements as responses to the advent of the cinema.”

Publisher Wilfrid Laurier University Press, Waterloo, 2013
Film and Media Studies series
ISBN 9781554586257, 1554586259
x+765 pages

Reviews: John W. Locke (Canadian J of Film Studies 2014), Robin Walz (Canadian J of History 2014), Bart Testa (U Toronto Quarterly 2015).

Publisher
WorldCat

PDF (8 MB, updated on 2019-12-14)
EPUB (added on 2019-12-14)

Barton Byg: Landscapes of Resistance: The German Films of Danièle Huillet and Jean-Marie Straub (1995)

“Fervently admired and frequently reviled, Jean-Marie Straub and Danièle Huillet—who have lived and worked together since the 1950s—may well be the most uncompromising, not to say intransigent, filmmakers in the history of the medium. Their radical and deeply political films placed them as forerunners of the New German Cinema movement in the 1960s and influential figures in the subsequent explosion of the European avant-garde. In Landscapes of Resistance, Barton Byg fills a significant gap in modern German and European cinema studies by tracing the career of the two filmmakers and exploring their connection to German modernism, in particular their relationship to the Frankfurt School.

Although they are not German themselves, Straub and Huillet have used German material as the basis for the majority of their films. They have transcribed prose by Böll and Kafka, operas by Schoenberg, and verse dramas by Hölderlin. Byg explores how their work engages German culture with a critical distance and affection and confronts the artificiality of divisions between high and low culture.”

Publisher University of California Press, 1995
Open access
ISBN 0520089081, 9780520089082
xiii+303 pages

Reviews: Ulrich Kriest (Medienwissenschaft 1997, DE), Margret Eifler (The German Quarterly 2000).

Publisher
WorldCat

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