John Roberts: Revolutionary Time and the Avant-Garde (2015)

23 June 2018, dusan

“Why the avant-garde of art needs to be rehabilitated today

Since the decidedly bleak beginning of the twenty-first century, art practice has become increasingly politicized. Yet few have put forward a sustained defence of this development. Revolutionary Time and the Avant-Garde is the first book to look at the legacy of the avant-garde in relation to the deepening crisis of contemporary capitalism.

An invigorating revitalization of the Frankfurt School legacy, Roberts’s book defines and validates the avant-garde idea with an erudite acuity, providing a refined conceptual set of tools to engage critically with the most advanced art theorists of our day, such as Hal Foster, Andrew Benjamin, Alain Badiou, Jacques Rancière, Paolo Virno, Claire Bishop, Michael Hardt, and Toni Negri.”

Publisher Verso, London, 2015
ISBN 9781781689134, 178168913X
xii+322 pages

Reviews: Noni Brynjolson (Field, 2015), Danica Radoshevich (Red Wedge, 2015), Kim Charnley (Platypus Review, 2016), Geoffrey Wildanger (LA Review of Books, 2016).

Publisher
WorldCat

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Mary Ann Caws (ed.): Manifesto: A Century of Isms (2001)

16 November 2017, dusan

“An anthology featuring over 200 artistic and cultural manifestos from a wide range of countries. It includes texts ranging from Kurt Schwitters’ ‘Cow Manifesto’ to those written in the name of well-known movements – imagism, cubism, surrealism, symbolism, and projectivism – and less well-known ones – lettrism, acmeism, concretism, and rayonism.”

Publisher University of Nebraska Press, Lincoln, 2001
ISBN 0803264070, 9780803264076
xxxiv+713 pages

Reviews: Greil Marcus (Artforum, 2001), Publishers Weekly (2001), Gail McDonald (symploke, 2003), Cynthia Ellen Patton (College Literature, 2003).

WorldCat

PDF (14 MB, updated on 2017-11-21)

Alexander Dorner: The Way Beyond ‘Art’ (1947/1958)

8 January 2017, dusan

A book by Alexander Dorner, a progressive museum director affiliated with interwar avant-garde, dealing with the tensions and genesis of modern art.

First edition published by Wittenborn & Schultz, New York, 1947

Revised edition
Introduction by John Dewey
Introduction to the revised edition by Charles L. Kuhn
Publisher New York University Press, New York, 1958
154 pages

Reviews: Vincent Tomas (J Aesthetics and Art Criticism, 1948), George Boas (Art Bulletin, 1947).
Commentary: Samuel Cauman (College Art J, 1948), Rebecca K. Uchill (2015).

WorldCat

PDF (19 MB)