Jonathan Sterne: The Audible Past: Cultural Origins of Sound Reproduction (2003)

“The Audible Past explores the cultural origins of sound reproduction. It describes a distinctive sound culture that gave birth to the sound recording and the transmission devices so ubiquitous in modern life. With an ear for the unexpected, scholar and musician Jonathan Sterne uses the technological and cultural precursors of telephony, phonography, and radio as an entry point into a history of sound in its own right. Sterne studies the constantly shifting boundary between phenomena organized as “sound” and “not sound.” In The Audible Past, this history crisscrosses the liminal regions between bodies and machines, originals and copies, nature and culture, and life and death.

Blending cultural studies and the history of communication technology, Sterne follows modern sound technologies back through a historical labyrinth. Along the way, he encounters capitalists and inventors, musicians and philosophers, embalmers and grave robbers, doctors and patients, deaf children and their teachers, professionals and hobbyists, folklorists and tribal singers. The Audible Past tracks the connections between the history of sound and the defining features of modernity: from developments in medicine, physics, and philosophy to the tumultuous shifts of industrial capitalism, colonialism, urbanization, modern technology, and the rise of a new middle class.

A provocative history of sound, The Audible Past challenges theoretical commonplaces such as the philosophical privilege of the speaking subject, the visual bias in theories of modernity, and static descriptions of nature. It will interest those in cultural studies, media and communication studies, the new musicology, and the history of technology.”

Publisher Duke University Press, 2003
ISBN 082233013X, 9780822330134
450 pages
via nutzenberg

Reviews: James P. Kraft (American Historical Review), Karin Bijsterveld (Technology and Culture).

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Hans Günther, Sabine Hänsgen (eds.): Soviet Power and the Media (2006) [Russian]

Proceedings from the conference “The Political as Communicative Space in History” (Bielefeld, October 2003) devoted to the comparative analysis of the media in the Soviet Union of the 1920s and 1930s provide a pioneering media-theoretical exploration of the role of radio, film, photography and print in the engineering of the communist Soviet power.

Sovetskaya vlast’ i media [Советская власть и медиа]
Publisher Akademicheskiy proekt, St. Petersburg, 2006
Open Access
ISBN 5733103353, 9785733103358
621 pages

Reviews: Wolfgang Schlott (Die Welt der Slaven, 2007, DE, PDF), Alexander Prokhorov (Studies in Russian and Soviet Cinema, 2007), Alexander Ulanov (Novoe literaturnoe obozrenie, 2007, RU), Jana Klenhova (ArtMargins, 2008), Yuliya Liderman (Usloviya teatra, RU, 2010).

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Organised Sound: An International Journal of Music and Technology, 14(1): Sound Art (2009)

“Thanks to a variety of contributors, this issue of Organised Sound usefully articulates several definitions of sound art, principally the German Klangkunst vs the US art gallery assumption, the former focusing on the sculptural dimension and site specific, architecture related installations, while the latter deals with more aesthetic and psychological aspects.” (from a Continuo review)

With contributions by Alan Licht, Andreas Engström and Åsa Stjerna, Christoph Cox, Lílian Campesato, Joanna Demers, Dani Iosafat, Claudia Tittel, Julio d’Escriván, Gascia Ouzounian, Owen Chapman, Virginia Madsen, Georg Klein, and a reviews section.

Guest editor Jøran Rudi
Editor Leigh Landy
Publisher Cambridge University Press, April 2009
ISSN 1355-7718
115 pages

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