Caren Irr: Pink Pirates: Contemporary American Women Writers and Copyright (2010)
Filed under book | Tags: · copyright, feminism, history of literature, literary criticism, literary theory, literature, piracy
“Readings of contemporary American women writers, controversies over copyright, and feminist theory
Today, copyright is everywhere, surrounded by a thicket of no trespassing signs that mark creative work as private property. Caren Irr’s Pink Pirates asks how contemporary novelists—represented by Ursula Le Guin, Andrea Barrett, Kathy Acker, and Leslie Marmon Silko—have read those signs, arguing that for feminist writers in particular copyright often conjures up the persistent exclusion of women from ownership. Bringing together voices from law schools, courtrooms, and the writer’s desk, Irr shows how some of the most inventive contemporary feminist novelists have reacted to this history.
Explaining the complex, three-century lineage of Anglo-American copyright law in clear, accessible terms and wrestling with some of copyright law’s most deeply rooted assumptions, Irr sets the stage for a feminist reappraisal of the figure of the literary pirate in the late twentieth century—a figure outside the restrictive bounds of U.S. copyright statutes.
Going beyond her readings of contemporary women authors, Irr’s exhaustive history of how women have fared under intellectual property regimes speaks to broader political, social, and economic implications and engages digital-era excitement about the commons with the most utopian and materialist strains in feminist criticism.”
Publisher University of Iowa Press, 2010
ISBN 1587299127, 9781587299124
220 pages
via wX
Reviews: Madeleine Monson-Rosen (Mediations, 2010), Sean Latham (Modern Language Quarterly, 2012).
Comments (2)Collected Works of Velimir Khlebnikov, 3 vols. (1987-1998)
Filed under poetry | Tags: · fiction, futurism, language, literary theory, literature, poetics, poetry, theatre, zaum
“Dubbed by his fellow Futurists the “King of Time”, Velimir Khlebnikov (1885–1922) spent his entire brief life searching for a new poetic language to express his convictions about the rhythm of history, the correspondence between human behavior and the “language of the stars.” The result was a vast body of poetry and prose that has been called hermetic, incomprehensible, even deranged. Of all this tragic generation of Russian poets (including Blok, Esenin, and Mayakovsky), Khlebnikov has been perhaps the most praised and the more censured.”
Edited by Charlotte Douglas (1), Ronald Vroon (2-3)
Translated by Paul Schmidt
Publisher Harvard University Press, 1987-98
ISBN 0674140451 (1), 067414046X (2), 0674140478 (3)
xii+452 & xii+403 & x+274 pages
Reviews: Cooke (of Vol 1, SEER 1989), Yastremski (of Vol 2, SEEJ 1990).
1. Letters and Theoretical Writings (1987, 29 MB)
2. Prose, Plays, and Supersagas (1989, 17 MB)
3: Selected Poems (1998, 10 MB)
More from Khlebnikov (incl 6-volume Russian collection)
Khlebnikov on Ubuweb Sound
Peter Steiner: Russian Formalism: A Metapoetics (1984)
Filed under book | Tags: · authorship, formalism, literary criticism, literary theory, literature, metaphor, poetics, poetry
“Thirty years after its first publication, Peter Steiner’s erudite, thoughtful book remains a classic study of Russian Formalism. His “metapoetic” analysis offers a simple, clear schema for apprehending the unity of action and dynamic configuration of the Russian formalists’s program, while fully respecting the diversity of the cluster of theories they put forward. As such, it also serves as one of the best introductions to a movement that still exerts considerable influence on literary study.”
Publisher Cornell University Press, 1984
Digital edition by sdvig press, Geneva/Lausanne, 2014
Formalisms series, 1
Open access
ISBN 9782970082934
245 pages
Reviews: Richard F. Gustafson (Slavic Review, 1985), Rene Wellek (Poetics Today, 1986), Milton Ehre (Comparative Literature, 1986).
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