Tomislav Medak, Petar Milat (eds.): Idea of Radical Media (2013) [English/Croatian]

This is the “reader from the Idea of Radical Media conference, held June 7-8, 2013 in Zagreb, Croatia, and organized by the Multimedia Institute. The conference took place in the context of the exhibition Prospects of Arkzin and the media action Installing the Public, both revisiting the Arkzin phenomenon two decades later. Arkzin was a collective and a publication that emerged out of the Anti-War Campaign in the early 1990s and gave a theoretical and polemical voice to anti-nationalist positions. The publishing and activist practices of Arkzin anticipated and reflected the practices of tactical media that were crystallizing from a particular confluence of a political moment marked by the post-socialist transition, post-Yugoslav conflicts and alter-globalist contestations, and a technological moment of the rise of early Net.

However, the conference and the reader have a broader aim. On the one hand, we wanted to look back at the practical articulations and discursive re-articulations of radical media practices in arts, mass communication and political work and over the last two decades. On the other, to reasses the notion of radical media from a broader historical perspective and the critical perspective of the current political moment.” (from the Introduction)

With essays by Clemens Apprich, Eric Kluitenberg, Jodi Dean, Matteo Pasquinelli, Branka Ćurčić, Alessandro Ludovico, Anthony Iles, Joanne Richardson, Vera Tollmann, Katarina Peović Vuković and Ana Peraica.

Idea of Radical Media / Ideja radikalnih medija
Publisher Multimedia Institute, Zagreb, 2013
ISBN 9789537372101
256 pages

PDF
See also Prospects of Arkzin catalogue (48 pp, 2013)

Tatiana Bazzichelli, Geoff Cox (eds.): Disrupting Business: Art & Activism in Times of Financial Crisis (2013)

“Disrupting Business explores some of the interconnections between art, activism and the business concept of disruptive innovation. With a backdrop of the crisis in financial capitalism and austerity cuts in the cultural sphere, the idea is to focus on potential art strategies in relation to a broken economy. In a perverse way, we ask whether this presents new opportunities for cultural producers to achieve more autonomy over their production process. If it is indeed possible, or desirable, what alternative business models emerge? This book is concerned broadly with business as material for reinvention, including critical writing and examples of art/activist projects.”

Contributors include Saul Albert, Christian Ulrik Andersen, Franco “Bifo” Berardi, Heath Bunting, Paolo Cirio, Baruch Gottlieb, Brian Holmes, Geert Lovink, Dmytri Kleiner, Georgios Papadopolous, Søren Bro Pold, Oliver Ressler, Kate Rich, René Ridgway, Guido Segni, Stevphen Shukaitis, Nathaniel Tkacz, and Marina Vishmidt.

Publisher Autonomedia, New York, October 2013
Data Browser series, 5
Creative Commons BY-NC-SA 3.0 Unported License
ISBN 9781570272646
232 pages

Authors
Publisher

PDF, PDF

The Next Five Minutes Zapbook (1992)

Working papers for the Next Five Minutes Conference, Exhibition and TV Program on Tactical Television held between 8 and 10 January 1993 in Amsterdam.

Edited by Amsterdam Cultural Studies (Jeroen van Bergeijk, Geke van Dijk, Karel Koch, Bas Raijmakers)
Produced by Paradiso, Amsterdam, October 1992
70 pages
via TacticalMediaFiles.net

PDF, PDF (no OCR)

See also tactical media on Monoskop wiki.