Journal of Sonic Studies, Vol. 3: Rethinking Theories of Television Sound (2012)

“The essays collected in this special issue of the Journal of Sonic Studies are intended to rethink the existing theories of television sound by offering a reexamination of some of the most persistent accounts of television sound from the 1980s to the present. These essays examine the technological and aesthetic changes that have accompanied the rise of new technologies, production practices, and listening perspectives over the past few decades, and they draw on a wide range of genres and categories of television sound, including commentary, voice-over, sound effects, and music soundtracks.” (from the Editorial)

Edited by Carolyn Birdsall, Anthony Enns
Publisher Leiden University Press

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Previous two issues

Rudolf Arnheim: Radio: An Art of Sound (1936/1971)

“Arnheim treats all aspects of sound. He explores words and music as kinds of sounds; discusses direction and distance, spatial resonance, sequence and juxtaposition in radio sound; makes comparisons between sound film and radio techniques and effects; and details the benefits of imagination with sound from a creative and emotional point of view. The art of announcing, the psychology of the listener, and two generalized discussions of radio around the world, and the prospects for television are covered in the last chapters.”

Translated by Margaret Ludwig and Herbert Read
First published by Faber and Faber, London, 1936
Publisher Arno Press, New York, 1971
287 pages

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Alan Lomax: Selected Writings, 1934-1997 (2003)

Alan Lomax is a legendary figure in American folk music circles. Although he published many books, hundreds of recordings and dozens of films, his contributions to popular and academic journals have never been collected. This collection of writings, introduced by Lomax’s daughter Anna, reintroduces these essential writings. Drawing on the Lomax Archives in New York, this book brings together articles from the 30s onwards. It is divided into four sections, each capturing a distinct period in the development of Lomax’s life and career: the original years as a collector and promoter; the period from 1950-58 when Lomax was recording thorughout Europe; the folk music revival years; and finally his work in academia.

Edited by Ronald D. Cohen
With Introductory Essays by Gage Averill, Matthew Barton, Ronald D.Cohen, Ed Kahn, and Andrew L.Kaye
Publisher Routledge, 2003
ISBN 0415938546, 9780415938549
363 pages

Sound Recordings catalog comprises over 17,400 digital audio files, beginning with Lomax’s first recordings onto tape in 1946 and tracing his career into the 1990s

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Google books

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