Myung-Jin Park, James Curran (eds.): De-Westernizing Media Studies (2000)

11 February 2010, dusan

De-Westernizing Media Studies brings together leading media critics from around the world to address central questions in the study of the media. How do the media connect to power in society? Who and what influence the media? How is globalization changing both society and the media?

Publisher Routledge, 2000
Communication and Society series
ISBN 0415193958, 9780415193955
342 pages

publisher
google books

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Palo Fabuš: Laschova teorie narcistní kultury jako inspirace pro mediální studia (2009) [Czech]

11 February 2010, dusan

Práce se pokouší představit teorii narcistní kultury amerického historika Christophera Lasche jakožto inspiraci pro mediální studia. Činí tak analýzou vybraných mediálních teorií autorů Jeana Baudrillarda, Joshuy Meyrowitze, Neila Postmana a dvojice Brian Longhurst a Nicholas Abercrombie. Malá pozornost, kterou tyto teorie venují roli mediálního publika je zde interpretována jako bílé místo, které by Laschova teorie mohla zaplnit modelem narcistní osobnostní struktury.

Lasch ve své historické studii kulturních proměn ve 20. století vychází z rozpadu rodiny způsobeného psychologizací společnosti, vlivem reklamy a nástupem byrokratického paternalismu, který nahradil původně rodičovské funkce. Rodí se tak narcistní osobnost vyznačující se vnitřním psychologickým motorem sebe-nenávist a nutkavou potrebou obklopovat se iluzemi všemohoucnosti, která se projevuje vyhledáváním spektáklu a stažením se do sebe. Inspirativnost této teorie pro mediální studia je tak představena v podobe užitečného modelu pro analýzu médií v paradigmatu aktivních publik.

Klíčová slova: narcismus, Lasch, postmodernita, média, komunikace, Já, survivalismus, psychoanalýza.

Diplomová práce
Masarykova Univerzita, Fakulta sociálních studií
Vedoucí práce: prof. PhDr. Jiří Pavelka, CSc.
Brno: FSS MU, 2009

Lasch’s narcissism culture theory as an inspiration for media studies
The thesis aims to introduce the narcissism culture theory of american historian Christopher Lasch as an inspiration for media studies. It does so by analysing selected media theories of Jean Baudrillard, Joshua Meyrowitz, Neil Postman and Brian Longhurst with Nicholas Abercrombie. Little attention these theories draw to the role of media audience is interpreted here as a gap, which could be potentially filled by Lasch’s theory with its model of narcissistic character.
In his historical study of culture changes in 20th century Lasch starts from the dissolution of family inflicted by psychologization of society, influence of advertising and emergence of bureaucratic paternalism substituting rearing function of parents. Through these processes comes birth of narcissistic personality, which can be distinguished by inner psychological drive of self-hate and compulsive need to surround him- or herself with illusion of omnipotence manifested through seeking out of spectacle and drawing within. The inspirative potential of the theory is thus introduced in a form of a useful model for a media analysis within the active audience paradigm.

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Susan J. Douglas: Listening In. Radio and the American Imagination (2004)

13 December 2009, dusan

Few inventions evoke such nostalgia, such deeply personal and vivid memories as radio—from Amos ’n’ Andy and Edward R. Murrow to Wolfman Jack and Howard Stern. Listening In is the first in-depth history of how radio culture and content have kneaded and expanded the American psyche.

But Listening In is more than a history. It is also a reconsideration of what listening to radio has done to American culture in the twentieth century and how it has brought a completely new auditory dimension to our lives. Susan Douglas explores how listening has altered our day-to-day experiences and our own generational identities, cultivating different modes of listening in different eras; how radio has shaped our views of race, gender roles, ethnic barriers, family dynamics, leadership, and the generation gap. With her trademark wit, Douglas has created an eminently readable cultural history of radio.

Publisher University of Minnesota Press, 2004
ISBN 0816644233, 9780816644230
415 pages

publisher
google books

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