Henry Flynt: Down With Art (1968)

Henry Flynt‘s early publication (his “Concept Art” essay appeared in An Anthology in 1963 and he contributed to Wolf Vostell’s décollage the year prior) features his “Art or Brend” essay, letters/statements by Terry Riley (#2), Robert Morris (#3, #6), Walter De Maria (#7), Diane Wakoski (#8), Cornelius Cardew (#9) and Ben Vautier (#10), and a press release describing a demonstration undertaken by Flynt, Tony Conrad, Jack Smith and others in front of MoMA on February 27, 1963, followed by Flynt’s lecture the next day (#4).

Publisher Fluxpress, New York, 1968
[12] pages, 10 x 27 cm

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Film Culture, 43: Expanded Arts (1966)

This special issue of 1960s New York’s avant-garde film quarterly is an all Fluxus tabloid newsprint issue featuring George Maciunas, Jonas Mekas, Henry Flynt, Ken Dewey, Gerd Stern, Stan VanDerBeek, Robert Whitman, et al.

From the Introduction: “The purpose of this Special Issue of Film Culture, EXPANDED ARTS, is twofold: a) to give to our readers and idea about what’s going on in the avantgarde arts today, and b) to serve as a sort of catalogue or index to the work of some of the artists involved.

This issue started as an index to the artists working in the area of Expanded Cinema. Only as we went along, our original conception changed and we decided to include all the other arts. EXPANDED ARTS – we intend to come out with other issues–will eventually include all areas of expanded performing arts. This issue, however, is dominated by the Expanded Cinema, Expanded Music, Expanded Gags and Readymades, and some Happenings. And not all of the artists working in those areas are represented. Some of them were simply too bnusy to get the necessary information in time. Many are missing; such as Lucinda Childs, Merce Cunningham, Ken Dewey, Oyvind Fahlstrom, Al Hansen, Allan Kaprow, Claes Oldenburg, Yvonne Rainer, Robert Rauschenberg, Ben Van Meter, Robert Whitman etc.”

Contents:
Introduction … 1
Expanded Cinema: A Symposium N.Y. Film Festival 1966, panel members: Ken Dewey, Henry Geldzahler, John Gruen, Stan VanDerBeek & Robert Whitman” … 1
Interview with Ken Dewey by Fred Wellington … 2
USCO. Interview with Gerd Stern by Jonas Mekas … 3
The Blue Mouse and the Movie Experience by Sheldon Renan … 4
To Be Alive! and the Multi-Screen Film by Maxine Haleff … 4
Notions on a New Dance Program by Gregory Battcock … 4
Triptape: An Interview with Richard Aldcroft by Gordon Ball … 4
Mock Risk Games – A Psychological Exploration (June 1961-1966) by Henry Flynt … 5
The Images of Robert Whitman by Toby Mussman … 5
Expanded Arts Bourse … 5
Fluxfest … 6
Expanded Arts Diagram by George Maciunas … 7
Movie Journals by Jonas Mekas … 10

Edited by Jonas Mekas
Publisher Film Culture, New York, Winter 1966
Design George Maciunas
ISSN 0015-1211
12 pages, 56 x 43 cm
via Walker Art Center

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The Record as Artwork: From Futurism to Conceptual Art (1977) [EN, FR]

Exhibition catalogue published in conjunction with show held at Fort Worth Art Museum, Texas, 4 December 1977 – 15 January 1978; Moore College of Art Gallery, Philadelphia, 3 February – 8 March 1978; Musée d’Art Contemporain, Montreal, 7 September – 22 October 1978; and Museum of Contemporary Art, Chicago, no dates listed.

Text by Anne Livet and Germano Celant. Artists include Kurt Schwitters, Marcel Duchamp, Hugo Ball, Jean Dubuffet, Yves Klein, Raoul Hausmann, Jean Tinguely, Allan Kaprow, Billy Kluver, Lawrence Weiner, Eliane Radigue, Jan Dibbets, Joseph Beuys, Dick Raaijmakers, Braco Dimitrijević, Antonio Dias, Sarkis, Michael Snow, Topor, Jack Goldstein, Art & Language, and others. Includes discography, index of record producers, and list of works.

Edited by Germano Celant
Publisher Museum of Contemporary Art, Chicago, 1977
121 pages

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