André Leroi-Gourhan: Gesture and Speech (1964-65–) [ES, IT, EN]

“André Leroi-Gourhan (1911-1986) was an anthropologist and paleontologist whose theoretical endeavors extended well beyond those realms to encompass the culture of the twentieth century and its most advanced developments. His bold and coherent revision of both analytic and archaeological methods revolutionized the study of prehistoric culture. His adoption of the structuralist method for the analysis of prehistoric art enabled a radical rethinking and clearer understanding of its nature, with resulting implications for the understanding of the art of our own times, and for a broad range of contemporary issues.

Leroi-Gourhan was, for example, concerned with questions of communication, particularly the ways in which new techniques of communication reshape our understanding of language and writing. His work in this field has proved catalytic for the thinking of other major theorists, among them Jacques Derrida. Gesture and Speech combines in one volume Technics and Language and Memory and Rhythms, which are the cornerstones of Leroi-Gourhan’s comprehensive theory of human behavior and cultural development.

In Technics and Language, Leroi-Gourhan looks at prehistoric technology in relation to the development of cognitive and linguistic faculties, expanding on the cultural ramifications of erect posture, a short face, a free hand during locomotion, and possession of movable implements.

Memory and Rhythms approaches its subject from the standpoints of sociology and aesthetics. Here Leroi-Gourhan addresses the problems of instinct and intelligence. He defines the relationship between aesthetic behavior, on the one hand, and species attitudes and the personalization of ethnic groups, on the other, and undertakes a sweeping aesthetic analysis from visceral perception to figurative art, including a discussion of the ‘language of forms’ that makes figurative art an abstract expression of language.”

Originally published in French under the title Le Geste et la parole (t.1: Technique et langage; t.2: La mémoire et les rythmes), Albin Michel, Paris, 1964 and 1965.

Translated by Anna Bostock Berger
Introduction by Randall White
Publisher MIT Press, 1993
October Books series
ISBN 0262121735, 9780262121736
453 pages

Publisher (EN)

El gesto y la palabra (Spanish, trans. Felipe Carrera D., 1971, 20 MB, added on 2015-2-19)
Il gesto e la parola (Italian, trans. Franco Zannino, 1977, 9 MB, added on 2015-2-19)
Gesture and Speech (English, trans. Anna Bostock Berger, 1993, 10 MB)

Lisa Gitelman: Scripts, Grooves, and Writing Machines: Representing Technology in the Edison Era (1999)

This is a richly imaginative study of machines for writing and reading at the end of the nineteenth century in America. Its aim is to explore writing and reading as culturally contingent experiences, and at the same time to broaden our view of the relationship between technology and textuality.

At the book’s heart is the proposition that technologies of inscription are materialized theories of language. Whether they failed (like Thomas Edison’s “electric pen”) or succeeded (like typewriters), inscriptive technologies of the late nineteenth century were local, often competitive embodiments of the way people experienced writing and reading. Such a perspective cuts through the determinism of recent accounts while arguing for an interdisciplinary method for considering texts and textual production.

Starting with the cacophonous promotion of shorthand alphabets in postbellum America, the author investigates the assumptions—social, psychic, semiotic—that lie behind varying inscriptive practices. The “grooves” in the book’s title are the delicate lines recorded and played by phonographs, and readers will find in these pages a surprising and complex genealogy of the phonograph, along with new readings of the history of the typewriter and of the earliest silent films. Modern categories of authorship, representation, and readerly consumption emerge here amid the un- or sub-literary interests of patent attorneys, would-be inventors, and record producers. Modern subjectivities emerge both in ongoing social constructions of literacy and in the unruly and seemingly unrelated practices of American spiritualism, “Coon” songs, and Rube Goldberg-type romanticism.

Just as digital networks and hypertext have today made us more aware of printed books as knowledge structures, the development and dissemination of the phonograph and typewriter coincided with a transformed awareness of oral and inscribed communication. It was an awareness at once influential in the development of consumer culture, literary and artistic experiences of modernity, and the disciplinary definition of the “human” sciences, such as linguistics, anthropology, and psychology. Recorded sound, typescripts, silent films, and other inscriptive media are memory devices, and in today’s terms the author offers a critical theory of ROM and RAM for the century before computers.

Publisher Stanford University Press, 1999
ISBN 0804732701, 9780804732703
282 pages

Review (Daniel Gilfillan, RCCS, 2002)

Publisher
Google books

Download (removed on 2013-11-12 upon request of the publisher)

Jeff Berner (ed.): Astronauts of Inner-Space: An International Collection of Avant-Garde Activity (1966)

17 Manifestoes, Articles, Letters, 28 Poems & 1 Filmscript.

With manifestoes by Raoul Hausmann, John Arden, Jorgen Nash, Decio Pignatari, Maurice Girodias, Bruno Munari, Allen Ginsberg, Franz Mon, Marshall McLuhan, Max Bense, Diter Rot, Otto Piene, W. S. Burroughs, Dom Sylvester Houedard, Konrad Bayer, Margaret Masterman, R. Watts

Publisher Stolen Paper Review Editions, San Francisco, and The Times Publishing Co, London, 1966
66 pages
scanned by Lori Emerson

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