Patricia Ticineto Clough: Autoaffection. Unconscious Thought in the Age of Teletechnology (2000)

Explores the connection between new theories, new technologies, and new ways of thinking.

In this book, Patricia Ticineto Clough reenergizes critical theory by viewing poststructuralist thought through the lens of “teletechnology,” using television as a recurring case study to illuminate the changing relationships between subjectivity, technology, and mass media.

Autoaffection links diverse forms of cultural criticism—feminist theory, queer theory, film theory, postcolonial theory, Marxist cultural studies and literary criticism, the cultural studies of science and the criticism of ethnographic writing—to the transformation and expansion of teletechnology in the late twentieth century. These theoretical approaches, Clough suggests, have become the vehicles of unconscious thought in our time.

In individual chapters, Clough juxtaposes the likes of Derridean deconstruction, Deleuzian philosophy, and Lacanian psychoanalysis. She works through the writings of Fredric Jameson, Donna Haraway, Judith Butler, Bruno Latour, Nancy Fraser, Elizabeth Grosz-to name only a few-placing all in dialogue with a teletechnological framework. Clough shows how these cultural criticisms have raised questions about the foundation of thought, allowing us to reenvision the relationship of nature and technology, the human and the machine, the virtual and the real, the living and the inert.

Publisher University of Minnesota Press, 2000
ISBN 0816628890, 9780816628896
213 pages

publisher
google books

PDF (updated on 2012-7-25)

Rasheed Araeen, Sean Cubitt, Ziauddin Sardar (eds.): Third Text Reader on Art, Culture and Theory (2002)

“Third Text has been the world’s leading journal on art in the global context. Known for challenging received notions of art practice, art history, popular media and cultural theory, it has never accepted unquestioningly the claims of anti-racism, multiculturalism or postcolonialism. Similarly, Third Text has not only championed new artists from six continents, it has raised the critical temperature and the political stakes for art and cultural practice in the age of globalization. This Reader brings together classic essays by some of the best-known critics in global art and cultural studies, together with some of the most exciting new voices to emerge over the last decades. Divided into sections that cover history, representation, identity, film, “post” theory, globalization, the Reader will be invaluable to students and teachers of art, cultural studies, media studies, postcolonialism and globalization.”

Selected contributors: Zygmunt Bauman, Rustom Bharucha, Zeynap Çelik, James Clifford, Sean Cubitt, Jimmie Durham, Clifford Geertz, Stuart Hall, Kobener Mercer, Benita Parry, George Ritzer, Edward Said, Ziauddin Sardar, Julian Stallabrass, Slavoj Zizek.

Publisher Continuum International Publishing Group, 2002
ISBN 0826458513, 9780826458513
392 pages

Publisher

PDF (no OCR; some pages missing; updated on 2012-11-4)

Christopher Prendergast (ed.): Cultural Materialism: On Raymond Williams (1995)

The work of Raymond Williams is of seminal importance in rethinking the idea of culture. He is widely regarded as one of the founding figures of international cultural studies. In tribute to his legacy, this edited volume is devoted to his theories of cultural materialism and is the most substantial and wide-ranging collection of essays on his work to be offered since his death in 1988. For all readers grappling with Williams’s complex legacy, this volume is not to be missed.

Contributors: Stanley Aronowitz, John Brenkman, Peter de Bolla, Catherine Gallagher, Stephen Heath, John Higgins, Peter Hitchcock, Cora Kaplan, David Lloyd, Robert Miklitsch, Michael Moriarty, Morag Shiach, David Simpson, Gillian Skirrow, Kenneth Surin, Paul Thomas, Gauri Viswanathan, and Cornel West.

Publisher University of Minnesota Press, 1995
ISBN 0816622809, 9780816622801
387 pages

publisher
google books

PDF (updated on 2012-9-3)