Andrew O’Hagan: Julian Assange: The Unauthorised Autobiography (2011)
Filed under book | Tags: · activism, biography, computing, cypherpunk, diplomacy, hacking, internet, media activism, military, politics, war, wikileaks
“In December 2010, Julian Assange signed a contract with Canongate Books to write a book – part memoir, part manifesto – for publication the following year. At the time, Julian said: ‘I hope this book will become one of the unifying documents of our generation. In this highly personal work, I explain our global struggle to force a new relationship between the people and their governments.’
In the end, the work was to prove too personal.
Despite sitting for more than fifty hours of taped interviews discussing his life and the work of WikiLeaks with the writer he had enlisted to help him, Julian became increasingly troubled by the thought of publishing an autobiography. After reading the first draft of the book at the end of March, Julian declared: ‘All memoir is prostitution.’ In June 2011, with thirty-eight publishing houses around the world committed to releasing the book, Julian told us he wanted to cancel his contract.
We disagree with Julian’s assessment of the book. We believe it explains both the man and his work, underlining his commitment to the truth. Julian always claimed the book was well written; we agree, and this also encouraged us to make the book available to readers. And the contract? By the time Julian wanted to cancel the deal he had already used the advance money to settle his legal bills. So the contract still stands. We have decided to honour it – and to publish.
This book is the unauthorised first draft. It is passionate, provocative and opinionated – like its author. It fulfils the promise of the original proposal and we are proud to publish it.” (publisher)
Ghostwritten by Andrew O’Hagan
Publisher Canongate Books, September 2011
ISBN 085786386X, 9780857863867
352 pages
review (David Leigh, Guardian)
review (James Ball, New Statesman)
review (Economist)
PDF (MOBI; updated on 2012-8-5)
Comment (0)Vito Campanelli: Web Aesthetics: How Digital Media Affect Culture and Society (2010)
Filed under book | Tags: · aesthetics, computing, digital media, internet, media, media culture, memes, networks, new media, remix, spam, subjectivity, technology, theory, virus, web
“We live in a world of rapidly evolving digital networks, but within the domain of media theory, which studies the influence of these cultural forms, the implications of aesthetical philosophy have been sorely neglected. Vito Campanelli explores network forms through the prism of aesthetics and thus presents an open invitation to transcend the inherent limitations of the current debate about digital culture.
The web is the medium that stands between the new media and society and, more than any other, is stimulating the worldwide dissemination of ideas and behaviour, framing aesthetic forms and moulding contemporary culture and society.
Campanelli observes a few important phenomena of today, such as social networks, peer-to-peer networks and ‘remix culture’, and reduces them to their historical premises, thus laying the foundations for an organic aesthetic theory of digital media.”
Publisher NAi Publishers, Rotterdam; in association with the Institute of Network Cultures at the Hogeschool van Amsterdam, University of Applied Sciences, October 2010
Studies in Network Cultures series
ISBN 9056627708, 9789056627706
276 pages
Reviews: Greg J Smith (Rhizome, 2011), Alessandro Ludovico (Neural, 2011), Regine Debatty (We Make Money Not Art, 2011).
Book website
Interview with the author (Geert Lovink)
Interview with the author (Pasquale Napolitano, Digicult)
PDF, PDF (25 MB, updated on 2019-3-24)
Comments (7)Mercedes Bunz: Vom Speicher zum Verteiler: Die Geschichte des Internet (2008) [German]
Filed under book | Tags: · arpanet, computing, filesharing, history of computing, history of technology, internet, media history, media theory, networks, technology
Das Internet ist kein Speichermedium, es ist ein Verteilungsmedium. Deshalb ist nichts im Internet so beständig wie der Wandel – und das ist von Beginn an so gewesen. Schon in den sechziger Jahren wird die Vernetzung von Computern zugleich als Einkaufsmöglichkeit, als Austausch von Forschungen und als Sicherstellen durch verteilte Kommunikation nach einem Bombenangriff entworfen. Damit wird der Fokus bei diesem Medium immer wieder auf Schnelligkeit und Dynamik und nicht auf seine Beständigkeit gelegt.
Von diesen frühen Planungen der ersten Netzwerke bis hin zum heutigen Internetprotokoll verfolgt das vorliegende Buch die Entstehung und den Wandel dieser Technologie und stellt die wichtigsten Projekte, Visionäre und Ingenieure der Geschichte des Internet vor. Dabei zeigt sich auch: Die Entstehung dieser Kulturtechnik hat keineswegs nur in Amerika stattgefunden. Die Geschichte des Internets entspringt nicht einem Ort, sie folgt vielmehr seiner eigenen Architektur und ereignet sich selbst in Form eines verteilten Netzwerkes. Im Erzählen seiner Geschichte gilt es deshalb auch, einen Paradigmenwechsel zu vollziehen. Weil der Fokus dieses neuen Mediums auf dem Verteilen und nicht auf dem Speichern liegt, ist die Geschichte des Internet im besonderen Maße auch eine Herausforderung für das Denken einer zeitgenössischen Medientheorie.
Publisher Kulturverlag Kadmos, Berlin, February 2008
copyrights Bd. 20
ISBN 3865990258, 9783865990259
147 pages
PDF (updated on 2012-7-25)
Comment (1)