John Berger: Ways of Seeing (1972)
Filed under book | Tags: · aesthetics, art, art criticism, art history, popular culture, visual culture

Ways of Seeing is a 1972 BBC four-part television series of 30-minute films created chiefly by writer John Berger and producer Mike Dibb. Berger’s scripts were adapted into a book of the same name. The series and book criticize traditional Western cultural aesthetics by raising questions about hidden ideologies in visual images. The series is partially a response to Kenneth Clark’s Civilisation series, which represents a more traditionalist view of the Western artistic and cultural canon.
The book Ways of Seeing was made by Berger and Dibb, along with Sven Blomberg, Chris Fox, and Richard Hollis. The book consists of seven numbered essays: four using words and images; and three essays using only images. The book has contributed to feminist readings of popular culture, through essays that focus particularly on depictions of women in advertisements and oil paintings. Ways of Seeing is considered a seminal text for current studies of visual culture and art history.
First published in the UK by the BBC and Penguin Books, 1972
Publisher Penguin Books, 1977
165 pages
Berry, van Dartel, Dieter, Kasprzak, Muller, O’Reilly, de Vicente: New Aesthetic, New Anxieties (2012)
Filed under book | Tags: · aesthetics, computing, floss, hacking, locative media, media art, net criticism, net culture, new aesthetic
The New Aesthetic was a design concept and netculture phenomenon launched into the world by London designer James Bridle in 2011. It continues to attract the attention of media art, and throw up associations to a variety of situated practices, including speculative design, net criticism, hacking, free and open source software development, locative media, sustainable hardware and so on. This is how we have considered the New Aesthetic: as an opportunity to rethink the relations between these contexts in the emergent episteme of computationality. There is a desperate need to confront the political pressures of neoliberalism manifested in these infrastructures. Indeed, these are risky, dangerous and problematic times; a period when critique should thrive. But here we need to forge new alliances, invent and discover problems of the common that nevertheless do not eliminate the fundamental differences in this ecology of practices. In this book, perhaps provocatively, we believe a great deal could be learned from the development of the New Aesthetic not only as a mood, but as a topic and fix for collective feeling, that temporarily mobilizes networks. Is it possible to sustain and capture these atmospheres of debate and discussion beyond knee-jerk reactions and opportunistic self-promotion? These are crucial questions that the New Aesthetic invites us to consider, if only to keep a critical network culture in place.
New Aesthetic New Anxieties is the result of a five day Book Sprint organized by Michelle Kasprzak and led by Adam Hyde at V2_ from June 17–21, 2012.
Facilitated by: Adam Hyde
Authors: David M. Berry, Michel van Dartel, Michael Dieter, Michelle Kasprzak, Nat Muller, Rachel O’Reilly and José Luis de Vicente.
Published in Rotterdam, June 2012
new-aesthetic.tumblr.com (James Bridle’s Tumblr site)
sprint host
EPUB
MOBI
PDF
HTML (annotated version)
Everything Magazine (1992-2001)
Filed under magazine | Tags: · aesthetics, art, art criticism, contemporary art, internet art, london, media culture, music, net art, new media, philosophy, technology, theory

The magazine reported on London’s independent art scene, projects, politics and philosophy throughout the 1990s. The web archive includes essays, interviews, reviews, web projects, and two eBC net casts.
Editorial collective (e/E): Luci Eyers, Steve Rushton aka Martina Kapopkin, John Timberlake
Published in London
via Steve Rushton
Interview with editors (Real Audio, 1999)
HTML (Issue -1)
HTML (partial archive, use menu at the bottom)
Net casts (1998)