Arnold Schoenberg: Style and Idea (1950)
Filed under book | Tags: · composition, music, music history, music theory
“In this collection of 15 essays, Schoenberg talks about the relationship to the text, new and outmoded music, composition in twelve tones, entertaining through composing, the relationship of heart and mind in music, evaluation of music, and other topics.”
Edited by Dika Newlin
Publisher Philosophical Library, New York, 1950
ISBN 9780806537337
224 pages
Review (Wilfrid Mellers, Encounter, 1976)
Comment (0)Leonardo Music Journal, 23: Sound Art (2013)
Filed under journal | Tags: · art criticism, art history, environment, field recording, installation art, music, music history, music theory, sound, sound art, sound design
The volume contains essays on environmental sound (both pastoral and urban), the spatial distribution of sound, technical innovations, as well as historical and critical contributions.
Contributions by Llorenç Barber, Rafael Liñan, Peter Batchelor, Marc Berghaus, Jane Grant, John Matthias, Mike Blow, Florian Grond, Adriana Olmos, Jeremy R. Cooperstock, Yolande Harris, Jessica Thompson, Edwin van der Heide, Emma Whittaker, Jos Mulder, Colin Wambsgans, Florian Hollerweger, David Monacchi, Rob van Rijswijk, Jeroen Strijbos, Yuan-Yi Fan, David Minnen, Jess Rowland, Jay Needham, Eric Leonardson, Ricardo Arias, Gascia Ouzounian, Simon Polson, Daniele Balit, Ethan Rose, Dugal McKinnon, Chuck Johnson and Daniel Wilson.
Edited by Nicolas Collins
Publisher MIT Press, 2013
ISSN 0961-1215
106 pages
via deadchildstar
PDF (removed on 2013-12-17 upon request of the publisher)
Comments (3)Seismograf/DMT contemporary art music magazine (2011–) [Danish]
Filed under journal | Tags: · art history, experimental music, field recording, music, music history, music theory, performance, radio, radio art, sound, sound art
Seismograf/DMT er et redaktionelt uafhængigt tidsskrift, der omhandler den nyeste kunst i lyddomænet og dens skabere – eksperimentel kunstmusik, lydkunst, performance, multimedia, interaktion og field recordings.
Tidsskriftet er en fusion af Dansk Musik Tidsskrift, Autograf og Seismograf, og tegner dermed Danmarks eneste platform fuldkommen dedikeret feltet ny kunstmusik og lydkunst.
Fra 2013 vil tidsskriftet endvidere publicere artikler, der er peer reviewed.
Sanne Krogh Groth er chefredaktør for tidsskriftet, der er støttet af Kunststyrelsens Musikudvalg og Dansk Komponistforening.
Publikationer: Japansk Lydkunst; Avantgarde i børnehøjde; Det du lysnar på hörs i P2; ’Touch Me! Fysisk – emotinelt – sensuelt’: Kritik af SPOR festival 2011; Musikhistorier; Urbanitet, lyd og kunst; Komponiststemmer; Instrumentmagere; Retro-utopier: Reportage fra CTM og Transmediale, 2013; Radio Radio Radio
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