Red Thread, 1-6 (2009-) [English/Turkish]

“The project Red Thread is envisioned as an active network and platform for exchange of knowledge and collaboration of artists, curators, social scientists, theorists and cultural operators from the Balkans, the Middle East, the Caucasus, North Africa, and beyond. It aims to create and widely disseminate new knowledge about paradigmatic socially engaged art practices in a wide geopolitical context, thus challenging the predominance of Western narratives in official art histories and exhibition making. Through initiating research, meetings, panel discussions and an active online site for exploring both historical and contemporary approaches that deepen and challenge broader relations of art and society, Red Thread intends to reopen the issues of joint modernist legacies and histories between various so-called “marginal” regions, and attempts to create new approaches to deal with questions of auto-histories, self-positioning and reinterpretation of art history.

The title of the project indicates a critical cultural and artistic engagement that has been present in the peripheral zones of the European modernistic project in different conceptual manifestations since the 1960s, when the crisis of the project of Western monolith high modernism in its relation to ideas of social progress became apparent. Metaphorical meaning of the expression ‘red thread’ suggests not only way out of labyrinth, but also a fragile, elastic link between different intellectual, social and artistic experimentations that share a desire for social change and the active role of culture and art in this process.

Red Thread is conceived as a possibility for starting a long-term communication and establishing new international platforms for artists and cultural workers from the regions considered to be part of supposedly shrinking but still corporeally very real geographical margins. Even if today one feels that there is no region excluded from the international art circuit, there still remains the issue of control, the unresolved and continuing play of inclusion and exclusion. In that respect, focusing primarily on regions of the Balkans, the Middle East, the Caucasus and North Africa, the project is conceived as an active site for rethinking the questions of production, definition, and presentation of the artwork and the artists’ identity in the globalized (art)world. It will explore the rules of conduct established in the Western art system, and question how the circulation and reception of information is regulated and how we can (and can we really) challenge it.”

Red Thread is initiated by WHW (what, how and for whom) and Osman Kavala in 2009 as part of 11th Istanbul Biennial.

Issue 1: HTML, PDF (2009)
Issue 2: “Sweet 60s”: HTML, PDF (2010)
Issue 3: HTML, PDF (2011)
Issue 4: Disposessions, Solidarities, Deintegrations, HTML, PDF (2017)
Issue 5: Alt-Truths and Insta-Realities: The Psychopolitics of Contemporary Right, HTML, PDF (2020)
Issue 6: Remembering in Circles, HTML, PDF (2023, added on 2024-1-18)

Mary Joyce (ed.): Digital Activism Decoded. The New Mechanics of Change (2010)

The media have recently been abuzz with cases of citizens around the world using digital technologies to push for social and political change—from the use of Twitter to amplify protests in Iran and Moldova to the thousands of American nonprofits creating Facebook accounts in the hopes of luring supporters.

These stories have been published, discussed, extolled, and derided, but the underlying mechanics of the practice of digital activism are little understood. This new field, its dynamics, practices, misconceptions, and possible futures are presented together for the first time in Digital Activism Decoded.

Topics include:
* how to think about digital activism
* the digital activism environment: infrastructure, social, political, and economic factors
* digital activism practices: two research perspectives and the danger of destructive activism
* digital activism’s value: balancing optimism and pessimism
* building the future of digital activism

Publisher: International Debate Education Association, New York, June 2010
Licensed under the Creative Commons Attribution License BY-NC 3.0 US.
ISBN 978-1-932716-60-3
228 pages

Video from the book launch and discussion
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google books

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Stephen C. Foster (ed.): Hans Richter. Activism, Modernism, and the Avant-Garde (1998)

Few artists spanned the movements of early twentieth-century art as completely as did Hans Richter. Richter was a major force in the developments of expressionism, Dada, De Stijl, constructivism, and Surrealism, and the creator, with Viking Eggeling, of the abstract cinema. Along with Theo van Doesburg, László Moholy-Nagy, El Lissitzky, and a few others, he is one of the artists crucial to an understanding of the role of the arts in the reconstruction era following World War I.

Most American scholars have focused on Richter’s film work and have favored a strictly formalist approach that separates art and politics. The contributors to this book rewrite Richter’s history to include his pivotal role in the development of the early twentieth-century avant-garde and his political activism. When Richter’s work, particularly that of his earlier, European career, is viewed in its historical and political context, he emerges as an artist committed to the power of art to change the fabric of social, political, and cultural affairs.

Publisher The MIT Press, 1998
in collaboration with the University of Iowa Museum of Art, Iowa City
ISBN: 0262561298, 9780262561297

publisher
google books

PDF (updated on 2012-7-31)