Jacques Khalip, Robert Mitchell (eds.): Releasing the Image: From Literature to New Media (2011)

“It has become a commonplace that “images” were central to the twentieth century and that their role will be even more powerful in the twenty-first. But what is an image and what can an image be? Releasing the Image understands images as something beyond mere representations of things. Releasing images from that function, it shows them to be self-referential and self-generative, and in this way capable of producing forms of engagement beyond spectatorship and subjectivity. This understanding of images owes much to phenomenology—the work of Husserl, Heidegger, and Merleau-Ponty—and to Gilles Deleuze’s post-phenomenological work. The essays included here cover historical periods from the Romantic era to the present and address a range of topics, from Cézanne’s painting, to images in poetry, to contemporary audiovisual art. They reveal the aesthetic, ethical, and political stakes of the project of releasing images and provoke new ways of engaging with embodiment, agency, history, and technology.”

With contributions by Peter Geimer, Jean-Luc Marion, Giorgio Agamben, Mark B.N. Hansen, Vivian Sobchack, Timothy Murray, Cesare Casarino, Kenneth Surin, Forest Pyle, Kevin McLaughlin, Bernard Stiegler

Publisher Stanford University Press, 2011
ISBN 0804761388, 9780804761383
304 pages

Publisher

PDF (updated on 2019-10-7)

Willem Schinkel, Liesbeth Noordegraaf-Eelens (eds.): In Medias Res: Peter Sloterdijk’s Spherological Poetics of Being (2011)

“In recent years, Peter Sloterdijk has become one of Germany’s most influential thinkers. His diverse body of work includes a Heideggerian project to think “space and time,” a Diogenes-inspired affirmation of the body, and a Deleuzian ontology of network-spheres. This highly accessible collection of essays brings together a team of internationally renowned scholars, including Sjoerd van Tuinen, Rudi Laermans, Peter Weibel, and Bruno Latour, to provide a series of critical reflections on Sloterdijk’s oeuvre.”

Publisher Amsterdam University Press, Amsterdam, 2011
Creative Commons Licence BY-NC 3.0 License
ISBN 908964329X, 9789089643292
204 pages

OAPEN

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Vito Campanelli: Web Aesthetics: How Digital Media Affect Culture and Society (2010)

“We live in a world of rapidly evolving digital networks, but within the domain of media theory, which studies the influence of these cultural forms, the implications of aesthetical philosophy have been sorely neglected. Vito Campanelli explores network forms through the prism of aesthetics and thus presents an open invitation to transcend the inherent limitations of the current debate about digital culture.

The web is the medium that stands between the new media and society and, more than any other, is stimulating the worldwide dissemination of ideas and behaviour, framing aesthetic forms and moulding contemporary culture and society.

Campanelli observes a few important phenomena of today, such as social networks, peer-to-peer networks and ‘remix culture’, and reduces them to their historical premises, thus laying the foundations for an organic aesthetic theory of digital media.”

Publisher NAi Publishers, Rotterdam; in association with the Institute of Network Cultures at the Hogeschool van Amsterdam, University of Applied Sciences, October 2010
Studies in Network Cultures series
ISBN 9056627708, 9789056627706
276 pages

Reviews: Greg J Smith (Rhizome, 2011), Alessandro Ludovico (Neural, 2011), Regine Debatty (We Make Money Not Art, 2011).

Book website
Interview with the author (Geert Lovink)
Interview with the author (Pasquale Napolitano, Digicult)

Publisher
Co-publisher

PDF, PDF (25 MB, updated on 2019-3-24)