Shulamith Firestone: Airless Spaces (1998)
Filed under fiction | Tags: · class, depression, gender, memoir, mental illness, psychiatry, race, schizophrenia
“A collection of short stories, set among the disappeared and darkened sectors of New York City, about characters who fall prey to an increasingly bureaucratized poverty.
In 1970, at the age of twenty-five, Shulamith Firestone wrote and published The Dialectic of Sex, immediately becoming a classic of second wave feminism across the world to this very day. It was one of the few books that dared to look at how radical feminism could and should shape the future; and one whose predictions (the cybernetic revolution, for example) proved startlingly prescient of issues today.
Airless Spaces, Firestone’s work of fiction, is a collection of short stories written by Firestone as she found herself drifting from the professional career path she’d been on and into what she describes as a new “airless space.” These deadpan stories, set among the disappeared and darkened sectors of New York City, are about losers who fall prey to an increasingly bureaucratized poverty and find themselves in an out of (mental) hospitals. But what gives characters such as SCUM-Manifesto author Valerie Solanas their depth and charge, is their the small crises that trigger an awareness that they’re in trouble.”
Publisher Semiotext(e), New York, 1998
Native Agents series
ISBN 1570270821, 9781570270826
160 pages
Reviews: Sianne Ngai (Arcade, 2012), Sands Murray-Wassink (2014).
Commentary: Susan Faludi (The New Yorker, 2013).
Publisher
Distributor
WorldCat
John Akomfrah & Black Audio Fillm Collective: Handsworth Songs (1986)
Filed under video | Tags: · black people, essay film, protest, race, resistance
“Handsworth Songs was released in 1986 as a cultural response to social unrest in Birmingham and London in October 1985, looking at the way events unfolded, the two deaths (that of black woman Cynthia Jarrett and white policeman Keith Blakelock), and the subsequent media reaction.
Subsequently selected by Okwui Enwezor for inclusion in the 2002 Documenta XI in Kassel and acquired by Tate, this early work by the Black Audio Film Collective has become not only an influential touchstone for an entire genre of essayistic filmmaking, but an important document on the state of race relations in Britain since the landing of the Empire Windrush in 1948.”
“Through an impressionistic mélange of newsreel footage, photographs, and interviews, Handsworth Songs arrives at a powerful, allusive, and deeply personal statement about the black British experience.” (Ashley Clark)
Directed by John Akomfrah/Black Audio Film Collective, 1986
Produced by Lina Gopal
Commissioned by Channel 4 for their series Britain: The Lie of the Land
61 min
Interview with Collective: Paul Gilroy and Jim Pines (Framework, 1988).
Online discussion (18 June 2020)
Commentary: Salman Rushdie, Stuart Hall, Darcus Howe (The Guardian, 1987), Isaac Julien and Kobena Mercer (Screen, 1988), Stuart Hall (ICA Documents, 1989, PDF), Kobena Mercer (The Independent, 1989), Mark Fisher (Sight & Sound, 2011), Dara Waldron (Open Library of Humanities, 2017), Ann Ogidi (BFI, n.d.).
Review: John Sutherland (American Historical Review, 1989).
WEBM (427 MB)
Transcript, PDF (added on 2023-7-3)
Beverly Guy-Sheftall (ed.): Words of Fire: An Anthology of African-American Feminist Thought (1995)
Filed under book | Tags: · black people, body, civil society, class, feminism, gender, politics, race, reproduction, resistance, sex, sexuality, violence, women
“This anthology traces the development, from the early 1800s to the present, of black feminist thought in the United States, Words of Fire is Beverly Guy-Sheftall’s comprehensive collection of writings, in the feminist tradition, of more than sixty African American women. From the pioneering work of abolitionist Maria Miller Stewart and anti-lynching crusader Ida Wells-Barnett to the writings of contemporary feminist critics Michele Wallace and bell hooks, black women have been writing about the multiple jeopardies—racism, sexism, and classism—that have made it imperative for them to forge a brand of feminism uniquely their own.”
With an epilogue by Johnnetta B. Cole
Publisher The New Press, New York, 1995
ISBN 1565842561, 9781565842564
xxvi+577 pages
Reviews: Yvonne Chireau (Georgia Historical Quarterly, 1996), Kamili Anderson (Diverse, 2007).
PDF (6 MB)
See also This Bridge Called My Back: Writings by Radical Women of Color (1981) and Home Girls: A Black Feminist Anthology (1983).
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