Charles A. Csuri (ed.): Interactive Sound and Visual Systems, catalogue (1970)
Filed under catalogue | Tags: · art, computer art, computer film, electronic music, sound art, sound recording, video art
“Charles Csuri organized and participated the Interactive Sound and Visual Systems exhibition, which included the installation of a large computer system with which visitors could interact. In the catalogue introduction, Csuri states, “Interdisciplinary approaches to problem solving represent the frontiers of research and education in the modern university.” The Interactive Sound and Visual Systems exhibition was held in the Hopkins Gallery, Hopkins Hall, The Ohio State University. The exhibition had to be closed early due to political demonstrations and subsequent riots on campus. Only this small catalogue remains to document the exhibition.”
College of the Arts, The Ohio State University, 25 April – 12 May 1970
Design by Eric Marlow
Photographs by David Hlynsky
Collages by Edd Benton
31 pages
PDF (updated on 2016-2-17)
Comment (0)John Cage: A Year from Monday: New Lectures and Writings (1967)
Filed under book | Tags: · art, composing, electronic music, literature, music, painting, performance, sound recording
Collection of John Cage‘s essays, lectures and journal entries from 1961–1967. Includes “How to Improve the World (You Will Only Make Matters Worse)” and “Juilliard Lecture”.
Publisher Wesleyan University Press, Middletown, CT, 1967
ISBN 0819560022, 9780819560025
167 pages
Review: Virgil Thomson (New York Review of Books, 1970).
PDF (updated on 2012-8-3)
Comments (2)Zehar, 53-57 (2004-2006) [English/Spanish/Basque]
Filed under magazine | Tags: · archive, art, contemporary art, copyright, creative commons, listening, music, sound recording
“Zehar is a magazine of art and contemporary culture. Zehar uses a transitory denomination (through) to define its purpose as a receptive intermediary between the artistic community and society at large.The magazine’s aim is to maintain a critical reflective spirit, inspired by the conviction of the need for consolidated stable bases, which enrich the context and a plural environment. Zehar is four monthly. In order to encourage the variety of ideas, we devote each issue to one theme and invite a guest editor to work on it.
The section titled Shorts presents reviews about exhibitions, events, books and films. The paper version has two editions, Basque/Spanish and English/Spanish, but the electronic edition is trilingual. Zehar is published by Arteleku, a public art centre under the auspices of the Culture Department of the Regional Government of Gipuzkoa, Basque Country, Spain.”
Perspectives on Listening
Zehar 53, 2004
Decoys and Disruptions
Zehar 55, 2005
Archive Fever
Zehar 56, 2005
Transition
Zehar 57, November 2006