Arndt Niebisch: Media Parasites in the Early Avant-Garde: On the Abuse of Technology and Communication (2012)

“The avant-garde movements of the early twentieth century inhabited the media discourses of their time like parasites, constantly irritating and taking from them. Dadaists ripped images of a mechanically reproduced world out of newspapers and magazines and reassembled them in their collages. Futurists instrumentalized the brevity of telegraph messages for their free word poetics. Artists such as F.T. Marinetti, Raoul Hausmann and Luigi Russolo constantly abused existing media technologies and hijacked public communication. This study traces these subversive tactics from avant-garde poetry to media technological experiments with radio tubes.”

Publisher Palgrave Macmillan, 2012
Avant-Gardes in Performance series
ISBN 1137276851, 9781137276858
250 pages

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David Rothenberg: Bug Music: How Insects Gave Us Rhythm and Noise (2013)

In the spring of 2013 the cicadas in the Northeastern United States will yet again emerge from their seventeen-year cycle—the longest gestation period of any animal. Those who experience this great sonic invasion compare their sense of wonder to the arrival of a comet or a solar eclipse. This unending rhythmic cycle is just one unique example of how the pulse and noise of insects has taught humans the meaning of rhythm, from the whirr of a cricket’s wings to this unfathomable and exact seventeen-year beat.

In listening to cicadas, as well as other humming, clicking, and thrumming insects, Bug Music is the first book to consider the radical notion that we humans got our idea of rhythm, synchronization, and dance from the world of insect sounds that surrounded our species over the millions of years over which we evolved. Completing the trilogy he began with Why Birds Sing and Thousand Mile Song, David Rothenberg explores a unique part of our relationship with nature and sound—the music of insects that has provided a soundtrack for humanity throughout the history of our species. Bug Music continues Rothenberg’s in-depth research and spirited writing on the relationship between human and animal music, and it follows him as he explores insect influences in classical and modern music, plays his saxophone with crickets and other insects, and confers with researchers and scientists nationwide.

This engaging and thought-provoking book challenges our understanding of our place in nature and our relationship to the creatures surrounding us, and makes a passionate case for the interconnectedness of species.

Publisher St. Martin’s Press, an imprint of Macmillan
ISBN 1250005213, 9781250005212
289 pages

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Thomas Bey William Bailey: Micro Bionic: Radical Electronic Music & Sound Art in the 21st Century, 2nd ed (2009/2012)

“Starting with the guerrilla media tactics of Industrial music in the late 1970s, the author charts an ongoing trend in electronic music: an increasing amount of sonic quality, recorded output and international contact, accomplished with a decreasing amount of tools, personnel, and capital investment. From the use of laptop computers to create massive avalanches of noise, to the establishment of micro-nations populated largely by sound artists, 21st century sound culture is expanding in its scope and popularity even as it shrinks in other respects. Numerous exclusive interviews with leading lights of the field were also conducted for this book: William Bennett (Whitehouse), Peter Christopherson (Throbbing Gristle / Coil), Peter Rehberg (Mego), John Duncan, Francisco López, Carl Michael von Hausswolff, Bob Ostertag and many others weigh in with a diversity of thoughts and opinions that underscores the incredible diversity to be found within new electronic music itself.”

First published by Creation Books in 2009
Publisher Belsona Books, 2012
ISBN 0615736629, 9780615736624
418 pages

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PDF (updated on 2021-4-11)