Jan Cohen-Cruz (ed.): Radical Street Performance: An International Anthology (1998)

“Radical Street Performance is the first volume to collect together the writings by activists, directors, performers, critics, scholars and journalists who have documented street theatre around the world.

More than thirty essays explore agit-prop, invisible theatre, demonstrations and rallies, direct action, puppetry, parades and pageants, performance art, guerrilla theatre, circuses.

These essays look at performances in Europe, Africa, China, India and both the Americas. They describe engagement with issues as diverse as abortion, colonialism, the environment and homophobia, to name only a few. Introduced by editor Jan Cohen-Cruz, the essays are organized into thematic sections: Agitating; Witnessing; Involving; Imagining; and Popularizing.”

Publisher Routledge, 1998
Performance Theory series
ISBN 0415152313, 9780415152310
302 pages

Publisher

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Jacques Rancière: Mute Speech: Literature, Critical Theory, and Politics (1998–) [ES, EN]

“Jacques Rancière has continually unsettled political discourse, particularly through his questioning of aesthetic “distributions of the sensible,” which configure the limits of what can be seen and said. Widely recognized as a seminal work in Rancière’s corpus, the translation of which is long overdue, Mute Speech is an intellectual tour de force proposing a new framework for thinking about the history of art and literature. Rancière argues that our current notion of “literature” is a relatively recent creation, having first appeared in the wake of the French Revolution and with the rise of Romanticism. In its rejection of the system of representational hierarchies that had constituted belles-letters, “literature” is founded upon a radical equivalence in which all things are possible expressions of the life of a people. With an analysis reaching back to Plato, Aristotle, the German Romantics, Vico, and Cervantes and concluding with brilliant readings of Flaubert, Mallarmé, and Proust, Rancière demonstrates the uncontrollable democratic impulse lying at the heart of literature’s still-vital capacity for reinvention.”

First published in French as La Parole muette. Essai sur les contradictions de la littérature, Hachette Litteratures, 1998

English edition
Translated by James Swenson
Publisher Columbia University Press, 2011
New Directions in Critical Theory series
ISBN 0231151039, 9780231151030
194 pages

publisher (EN)

La palabra muda: ensayo sobre las contradicciones de la literatura (Spanish, trans. Cecilia González, 2009, 112 MB, added on 2014-3-6)
Mute Speech: Literature, Critical Theory, and Politics (English, trans. James Swenson, 2011)

Yongming Zhou: Historicizing Online Politics: Telegraphy, the Internet, and Political Participation in China (2006)

It is widely recognized that internet technology has had a profound effect on political participation in China, but this new use of technology is not unprecedented in Chinese history. This is a pioneering work that systematically describes and analyzes the manner in which the Chinese used telegraphy during the late Qing, and the internet in the contemporary period, to participate in politics.

Drawing upon insights from the fields of anthropology, history, political science, and media studies, this book historicizes the internet in China and may change the direction of the emergent field of Chinese internet studies. In contrast to previous works, this book is unprecedented in its perspective, in the depth of information and understanding, in the conclusions it reaches, and in its methodology. Written in a clear and engaging style, this book is accessible to a broad audience.

Publisher Stanford University Press, 2006
Asian Studies / Political Science series
ISBN 0804751285, 9780804751285
304 pages

publisher
google books

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