Jan Cohen-Cruz (ed.): Radical Street Performance: An International Anthology (1998)

28 March 2013, dusan

Radical Street Performance is the first volume to collect together the writings by activists, directors, performers, critics, scholars and journalists who have documented street theatre around the world.

More than thirty essays explore agit-prop, invisible theatre, demonstrations and rallies, direct action, puppetry, parades and pageants, performance art, guerrilla theatre, circuses.

These essays look at performances in Europe, Africa, China, India and both the Americas. They describe engagement with issues as diverse as abortion, colonialism, the environment and homophobia, to name only a few. Introduced by editor Jan Cohen-Cruz, the essays are organized into thematic sections: Agitating; Witnessing; Involving; Imagining; and Popularizing.”

Publisher Routledge, 1998
Performance Theory series
ISBN 0415152313, 9780415152310
302 pages

Publisher

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Jacques Ellul: Propaganda: The Formation of Men’s Attitudes (1962/1973)

31 August 2011, dusan

“A far more frightening work than any of the nightmare novels of George Orwell. With the logic which is the great instrument of French thought, [Ellul] explores and attempts to prove the thesis that propaganda, whether its ends are demonstrably good or bad, is not only destructive to democracy, it is perhaps the most serious threat to humanity operating in the modern world.” –Los Angeles Times

Originally published in French as Propagandes by A. Colin, Paris, 1962.
Translated by Konrad Kellen and Jean Lerner
With an introduction by Konrad Kellen
Publisher Vintage Books, Random House, New York, 1973 (reprint of the Alfred A. Knopf 1965 edition)
Vintage political science and social criticism
ISBN 0394718747, 9780394718743
332 pages

publisher
google books

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Albrecht Betz: Hanns Eisler, Political Musician (1976/1982)

17 July 2011, dusan

Eisler’s role in German music is similar to that of Brecht in German literature and the two men worked together for nearly thirty years. Together with Webern and Berg, Eisler is considered one of the three great pupils of Schoenberg. Albrecht Betz divides Eisler’s life and music into four periods. The early formative period as student of Schoenberg includes compositions written in Vienna up to 1925. From 1926 to 1933, the second period, Eisler lived in Berlin and made his greatest impact with his political vocal music. The third phase of Eisler’s life, fifteen years of exile, was spent principally in the USA, and the fourth (from 1948) in East Germany. The author shows how Eisler is distinguished from other great twentieth-century composers in his belief that music had a social function, and how he liberated modern music from what he and others felt was its isolation. Originally published in German in 1976, this English edition is illustrated with music examples and includes a complete list of works, and a bibliography which has been adapted for the English-speaking reader.

Originally published in German as Hanns Eisler, Musik einer Zeit, die sich eben bildet by Edition text und kritik GmbH, Munich 1976
Translated by Bill Hopkins
Publisher Cambridge University Press, 1982
ISBN 0521240220, 9780521240222
326 pages

publisher
google books

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