e-flux journal, 105: Loophole of Retreat (2019)
Filed under magazine | Tags: · art, black people, feminism, film, poetry, race, women
“On April 27, 2019, the Solomon R. Guggenheim Museum was the site of a very special convening. It was the brainchild of Simone Leigh, and shared its title with her 2019 exhibition at the museum. Organized by Leigh, Saidiya Hartman, and myself, ‘The Loophole of Retreat’ was an exhilarating, rejuvenating, and inspirational daylong gathering dedicated to the intellectual life of black women that brought together an international constellation of writers, artists, poets, filmmakers, and activists. This special issue of e-flux journal seeks to lift up the extraordinary voices, thoughts, and conversations that emerged at the convening and share them with a wider audience. In doing so, I and my coeditors, Leigh and Hartman, seek to extend the dialogues of the ‘Loophole’ in the hope of including others and inspiring future gatherings which, like the Guggenheim convening, will honor and celebrate the intellectual and creative labor of black women.” (Tina M. Campt)
Contributions by Simone White, Sharifa Rhodes-Pitts, Rizvana Bradley, Dionne Brand, Zakiyyah Iman Jackson, Christina Sharpe, Vanessa Agard-Jones, Grada Kilomba, Françoise Vergès, Denise Ferreira da Silva, Okwui Okpokwasili, Lorraine O’Grady, Annette Lane Harrison Richter, Madeleine Hunt Ehrlich, and Asiya Wadud.
Edited by Tina Campt, Saidiya Hartman, and Simone Leigh
Publisher e-flux, New York, Dec 2019
ISSN 2164-1625
Achille Mbembe: Necropolitics (2016–) [ES, IT, EN]
Filed under book | Tags: · biopolitics, critical theory, fascism, nationalism, necropolitics, philosophy, race, racism, theory
“In Necropolitics Achille Mbembe, a leader in the new wave of francophone critical theory, theorizes the genealogy of the contemporary world, a world plagued by ever-increasing inequality, militarization, enmity, and terror as well as by a resurgence of racist, fascist, and nationalist forces determined to exclude and kill. He outlines how democracy has begun to embrace its dark side—what he calls its “nocturnal body”—which is based on the desires, fears, affects, relations, and violence that drove colonialism. This shift has hollowed out democracy, thereby eroding the very values, rights, and freedoms liberal democracy routinely celebrates. As a result, war has become the sacrament of our times in a conception of sovereignty that operates by annihilating all those considered enemies of the state. Despite his dire diagnosis, Mbembe draws on post-Foucauldian debates on biopolitics, war, and race as well as Fanon’s notion of care as a shared vulnerability to explore how new conceptions of the human that transcend humanism might come to pass. These new conceptions would allow us to encounter the Other not as a thing to exclude but as a person with whom to build a more just world.”
First published as Politiques de l’inimitié, La Découverte, Paris, 2016.
English edition
Translated by Steven Corcoran
Publisher Duke University Press, 2019
Theory in Forms series
ISBN 9781478005858, 1478005858
viii+213 pages
Reviews: Laurent Husson (Érudit, 2017, FR), Magali Bessone (L’Homme, 2016, FR), Guillaume G. Poirier (Ithaque, 2017, FR), Alexis Pierçon-Gnezda (Les Inrocks, 2016, FR), Jean Vettraino (Revue Projet, 2016, FR), Akono François-Xavier (Philosophie-politique, 2016, FR), Klaus Nüchtern (Zeit, DE, 2017), Jos Schnurer (socialnet.de, 2017, DE), Filippo La Porta (Laterza, 2019, IT), Tancredi Re (Economia Italiana, 2019, IT).
Políticas de la enemistad (Spanish, trans. Victor Goldstein, 2018, via)
Nanorazzismo: il corpo notturno della democrazia (Italian, trans. Guido Lagomarsino, 2019)
Necropolitics (English, trans. Steven Corcoran, 2019)
Charlton D. McIlwain: Black Software: The Internet and Racial Justice, from the AfroNet to Black Lives Matter (2020)
Filed under book | Tags: · activism, afronet, black people, computing, history of computing, history of technology, internet, race, racism, technology
“Activists, pundits, politicians, and the press frequently proclaim today’s digitally mediated racial justice activism the new civil rights movement. As Charlton D. McIlwain shows in this book, the story of racial justice movement organizing online is much longer and varied than most people know. In fact, it spans nearly five decades and involves a varied group of engineers, entrepreneurs, hobbyists, journalists, and activists. But this is a history that is virtually unknown even in our current age of Google, Facebook, Twitter, and Black Lives Matter.
Beginning with the simultaneous rise of civil rights and computer revolutions in the 1960s, McIlwain, for the first time, chronicles the long relationship between African Americans, computing technology, and the Internet. In turn, he argues that the forgotten figures who worked to make black politics central to the Internet’s birth and evolution paved the way for today’s explosion of racial justice activism. From the 1960s to present, the book examines how computing technology has been used to neutralize the threat that black people pose to the existing racial order, but also how black people seized these new computing tools to build community, wealth, and wage a war for racial justice.
Through archival sources and the voices of many of those who lived and made this history, Black Software centralizes African Americans’ role in the Internet’s creation and evolution, illuminating both the limits and possibilities for using digital technology to push for racial justice in the United States and across the globe.”
Publisher Oxford University Press, 2020
ISBN 9780190863845, 0190863846
xi+296 pages
Video interview with author (Morning Joe, MSNBC, 2019).
Podcast interview with author (The Human and the Machine, 2019).
Reviews: Lori Emerson (LA Review of Books, 2021), Brian Alleyne (Computational Culture, 2021).
PDF (7 MB)
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