Michel Henry: Barbarism (1987/2012)

Barbarism represents a critique, from the perspective of Michel Henry’s unique philosophy of life, of the increasing potential of science and technology to destroy the roots of culture and the value of the individual human being. For Henry, barbarism is the result of a devaluation of human life and culture that can be traced back to the spread of quantification, the scientific method and technology over all aspects of modern life. The book develops a compelling critique of capitalism, technology and education and provides a powerful insight into the political implications of Henry’s work. It also opens up a new dialogue with other influential cultural critics, such as Marx, Husserl, and Heidegger.

First published in French in 1987, Barbarism aroused great interest as well as virulent criticism. Today the book reveals what for Henry is a cruel reality: the tragic feeling of powerlessness experienced by the cultured person. Above all he argues for the importance of returning to philosophy in order to analyse the root causes of barbarism in our world.

Originally published in French as La Barbarie by Editions Grasset & Fasquelle, 1987
Translated by Scott Davidson
Publisher Continuum, London/New York, 2012
Volume 95 of Continuum Impacts
ISBN 1441132651, 9781441132659
168 pages

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The CryptoParty Handbook (2012)

This handbook is designed to help those with no prior experience to protect their basic human right to Privacy in networked, digital domains. By covering a broad array of topics and use contexts it is written to help anyone wishing to understand and then quickly mitigate many kinds of vulnerability using free, open-source tools. Most importantly however this handbook is intended as a reference for use during Crypto Parties.

Facilitated by Adam Hyde
Core Team: Marta Peirano, Asher Wolf, Julian Oliver, Danja Vasiliev, Malte Dik, Brendan Howell, Jan Gerber, Brian Newbold,
Assisted by Teresa Dillon, AT, Carola Hesse, Chris Pinchen, ‘LiamO’, ‘l3lackEyedAngels’, ‘Story89’, Travis Tueffel
Creative Commons BY-SA 4.0 Unported license
386+ pages
via Julian Oliver

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Jan Tschichold: The New Typography: A Handbook for Modern Designers (1928/1995)

“Since its initial publication in Berlin in 1928, Jan Tschichold’s The New Typography has been recognized as the definitive treatise on book and graphic design in the machine age. At once a key theoretical document of Central European modernism between the world wars and an invaluable source of working principles for the practicing designer, this classic work enjoys the reputation among book artists that Le Corbusier’s Toward a New Architecture has long held among architects.

The book’s legendary renown is certain to increase with the long-overdue appearance of this first English translation, published in a form that reflects Tschichold’s original typography and design. Ranging from theoretical discussions of typography in the age of photography and mechanical standardization to practical considerations in the design of business forms, The New Typography remains essential reading for designers, art historians, and all those concerned with the evolution of visual communication in the twentieth century.”

First published in German as Die neue Typographie: Ein Handbuch für Zeitgemäss Schaffende, Bildungs verband der Deutschen Buchdrucker, 1928.

Translated by Ruari McLean
With an Introduction by Robin Kinross
Publisher University of California Press, 1995
A Centennial Book
Weimar and Now: German Cultural Criticism series, 8
236 pages
via Jindra Kratochvil

Review: Victor Margolin (Print 1996).

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