Filed under book | Tags: · activism, aesthetics, architecture, art criticism, art history, avant-garde, film, intermedia, literature, music, performance, photography, theatre
“This book is premised on the view that the idea of the avant garde has an increased importance in these times of global political crisis. Much cultural production today is shaped by a biopolitics that construes all creative and knowledge production in terms of capital accumulation. A different kind of culture is possible. This collection of writings, essays, interviews and artworks by many of today’s most radical cultural practitioners and astute commentators on matters avant garde mediates the different strategies and temporalities of avant-garde art and politics. Tracing diverse genealogies and trajectories, the book offers an inter-generational forum of ideas that covers different arts fields, from visual art, art activism, photography, film and architecture, to literature, theatre, performance, intermedia and music.”
Texts by Marc James Léger, Adrian Piper, Andrea Fraser, David Tomas, Catherine Lescarbeau, Hal Foster, Laura Mulvey, Bruce LaBruce, Santiago Sierra, Derek Horton, Christine Wertheim, Lyn Hejinian, Marjorie Perloff, Wu Ming 2, Nikolaus Müller-Schöll, Rabih Mroué, Judith Malina, Moe Angelos, Bill Brown, The Errorist International, Jonas Mekas, Thomas Elsaesser, Alexander Kluge and Oskar Negt, Travis Wilkerson, Evan Mauro, Mikkel Bolt Rasmussen, Gene Ray, John Roberts, Zanny Begg and Dmitry Vilensky, Owen Hatherley, Michael Webb, Mitchell Joachim, Beatriz Colomina, Boris Groys, Vitaly Komar, Victor Tupitsyn, Gregory Sholette and Krzysztof Wodiczko, Critical Art Ensemble, BAVO, Alexei Monroe, Jean-Hervé Péron, Chris Cutler, Charles Gaines, Jason Robinson, Sara Marcus, Cosey Fanni Tutti, Thanos Chrysakis, Kim Cascone, Marc Couroux, Thérèse Mastroiacovo, Chrysi Papaioannou, and Bill Dane.
Publisher Manchester University Press, Manchester, with Left Curve, Oakland, CA, 2014
ISBN 9780719096914, 071909691X
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Filed under book | Tags: · architecture, art, art theory, bauhaus, de stijl, music, painting, theatre, theory
Number 5 in the series of 14 seminal Bauhaus books.
Contains German translations of five essays by Piet Mondrian: “Die neue Gestaltung. (Das Generalprinzip gleichgewichtiger Gestaltung)” (pp 5-28), “Die neue Gestaltung in der Musik und die futuristischen Italienischen Bruitisten” (29-41), “Die neue Gestaltung, ihre Verwirklichung in der Musik und im zukünftigen Theater” (42-53), “Die Verwirklichung der neuen Gestaltung in weiter Zukunft und in der heutigen Architektur” (54-64), and “Muss die Malerei der Architektur gegenüber als minderwertig gelten?” (65-66).
Publisher Albert Langen, Munich, 1925
Typography and cover: L. Moholy-Nagy
Bauhausbücher series, 5
Filed under book | Tags: · architecture, composition, computer music, electroacoustic music, electronic music, mathematics, music
This major work fills a major lacuna in the literature by bringing together for the first time all of the projects, realizations and texts related to architecture by the multi-faceted Xenakis who worked with Le Corbusier for 12 years. Sharon Kanach assisted the composer in gathering the texts for this his last ambitious project.
The material in the book is presented under four main headings: “The Le Corbusier Years”, “Xenakis as Independent Architect”, “Writings on Architecture”, and “The Polytopes”. Three annexes include a commented bibliography of writings by and on Xenakis compiled by Makis Solomo, a critical index of Xenakis’s architecture by Sven Sterken, and a comparative chronology of Xenakis’s life and work by Sharon Kanach. The latter’s commentary throughout the book strives to bridge the reciprocal influences between music and architecture in the Xenakis oeuvre.
Compiled, Translated and Commented by Sharon Kanach
Publisher Pendragon Press, Hillsdale/NY, 2008
The Iannis Xenakis Series, 1