Filed under artists book, book | Tags: · chance, composing, composition, ecology, mushrooms, music, sound
“John Cage: A Mycological Foray draws readers across the idiosyncratic, mushroom-suffused, innermost landscape of celebrated American composer John Cage. Upon the remarkable journey with Cage, one encounters assorted photographs, compositions, and contemplations; all in the very same unexpected fashion one encounters various flora and fungi species while mushroom foraging.
Volume I encompasses Cage’s mycological-oriented Indeterminacy stories, Diary excerpts, and essays; and the complete transcript of Cage’s 1983 performance, MUSHROOMS et Variationes.”
Volume II offers the inaugural reproduction of Cage’s 1972 portfolio, Mushroom Book, printed in 1972 in the limited run of 75 copies. The book is a study of fifteen different species of mushrooms, and each folio includes Cage’s poetry, sketches, and drawings (placed on the page by chance operations); scientific information about the mushrooms by Alexander H. Smith; and botanical illustrations by Lois Long.
John Cage: A Mycological Foray is developed in collaboration with the John Cage Trust.
With essay by Kingston Trinder and texts by Isabelle Bucklow.
Edited by Ananda Pellerin
Publisher Atelier Éditions, New York, 2020
ISBN 1733622004, 9781733622004
via Alexandra Fanning, HT Georges Vantongerloo
PDF (watermarked file from publisher’s Dropbox, contains both volumes; no longer available as of 2 July 2020)Comments (8)
Filed under book | Tags: · aesthetics, animal, chance, ecology, environment, ethics, forest, individuation, nature, philosophy, plants, subject, territory, theory, virtuality
“Bleak Joys develops an understanding of complex entities and processes—from plant roots to forests to ecological damage and its calculation—as aesthetic. It is also a book about “bad” things, such as anguish and devastation, which relate to the ecological and technical but are also constitutive of politics, the ethical, and the formation of subjects.
Avidly interdisciplinary, Bleak Joys draws on scientific work in plant sciences, computing, and cybernetics, as well as mathematics, literature, and art in ways that are not merely illustrative of but foundational to our understanding of ecological aesthetics and the condition in which the posthumanities are being forged. It places the sensory world of plants next to the generalized and nonlinear infrastructure of irresolvability—the economics of indifference up against the question of how to make a home on Planet Earth in a condition of damaged ecologies. Crosscutting chapters on devastation, anguish, irresolvability, luck, plant, and home create a vivid and multifaceted approach that is as remarkable for its humor as for its scholarly complexity.
Engaging with Deleuze, Guattari, and Bakhtin, among others, Bleak Joys captures the modes of crises that constitute our present ecological and political condition, and reckons with the means by which they are not simply aesthetically known but aesthetically manifest.”
Publisher University of Minnesota Press, Minneapolis, 2019
Posthumanities series, 53
ISBN 9781517905521, 1517905524
PDF (6 MB)Comment (0)
Filed under book | Tags: · agriculture, anthropocene, art, colonialism, commons, decolonization, ecology, feminism, land, poetics
“The Agropoetics Reader unfolds as a collection of texts that informed, grounded, and nourished Soil Is an Inscribed Body. In this context of reflections and cogitations about the epistemic violence perpetrated by the West against other forms of knowledges, the project examines anti-colonial struggles of past and current land conflicts across the world in order to address the invasiveness of neo-agro-colonialism and its extractivist logics.”
With contributions by Bengi Akbulut, Yemisi Aribisala, Marwa Arsanios, Luis Berríos-Negrón, Filipa César, Marisol de la Cadena, Ayesha Hameed, INLAND, Mijo Miquel, Asuncíon Molinos Gordo, Huying Ng, Maria Ptqk, Maria Puig de la Bellacasa, Silvia Rivera Cusicanqui, Bouba Touré, Mirellle and Jennifer in conversation with Alex Ungprateeb Flynn, Hervé Yamguen, and the editors.
Edited by Elena Agudio, Marleen Boschen, and Lorenzo Sandoval, with Onur Çimen and Cleo Wächter
Publisher Institute for Endotic Research Press, Berlin, with Savvy Contemporary, Berlin, 2020