Matthew Gandy, BJ Nilsen (eds.): The Acoustic City (2014)

2 July 2020, dusan

The Acoustic City consists of a series of essays on sound and the city. The book comprises five thematic sections: urban soundscapes with an emphasis on the distinctiveness of the urban acoustic realm; acoustic flânerie and the recording of sonic environments; sound cultures arising from specific associations between music, place, and sound; acoustic ecologies including relationships between architecture, sound, and urban design; and the politics of noise extending to different instances of anxiety or conflict over sound. This essay collection will be of interest to a wide range of disciplines including architecture, cultural studies, geography, musicology, and urban sociology.”

Publisher Jovis, Berlin, 2014
ISBN 3868592717, 9783868592719
217 pages
via Meowth

Project
Publisher
WorldCat

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John Cage: A Mycological Foray – Variations on Mushrooms, 2 vols. (1972/2020)

26 June 2020, dusan

John Cage: A Mycological Foray draws readers across the idiosyncratic, mushroom-suffused, innermost landscape of celebrated American composer John Cage. Upon the remarkable journey with Cage, one encounters assorted photographs, compositions, and contemplations; all in the very same unexpected fashion one encounters various flora and fungi species while mushroom foraging.

Volume I encompasses Cage’s mycological-oriented Indeterminacy stories, Diary excerpts, and essays; and the complete transcript of Cage’s 1983 performance, MUSHROOMS et Variationes.”

Volume II offers the inaugural reproduction of Cage’s 1972 portfolio, Mushroom Book, printed in 1972 in the limited run of 75 copies. The book is a study of fifteen different species of mushrooms, and each folio includes Cage’s poetry, sketches, and drawings (placed on the page by chance operations); scientific information about the mushrooms by Alexander H. Smith; and botanical illustrations by Lois Long.

John Cage: A Mycological Foray is developed in collaboration with the John Cage Trust.

With essay by Kingston Trinder and texts by Isabelle Bucklow.

Edited by Ananda Pellerin
Publisher Atelier Éditions, New York, 2020
ISBN 1733622004, 9781733622004
224 pages
via Alexandra Fanning, HT Georges Vantongerloo

Publisher

PDF (watermarked file from publisher’s Dropbox, contains both volumes; no longer available as of 2 July 2020)

Matthew Fuller, Olga Goriunova: Bleak Joys: Aesthetics of Ecology and Impossibility (2019)

21 April 2020, dusan

Bleak Joys develops an understanding of complex entities and processes—from plant roots to forests to ecological damage and its calculation—as aesthetic. It is also a book about “bad” things, such as anguish and devastation, which relate to the ecological and technical but are also constitutive of politics, the ethical, and the formation of subjects.

Avidly interdisciplinary, Bleak Joys draws on scientific work in plant sciences, computing, and cybernetics, as well as mathematics, literature, and art in ways that are not merely illustrative of but foundational to our understanding of ecological aesthetics and the condition in which the posthumanities are being forged. It places the sensory world of plants next to the generalized and nonlinear infrastructure of irresolvability—the economics of indifference up against the question of how to make a home on Planet Earth in a condition of damaged ecologies. Crosscutting chapters on devastation, anguish, irresolvability, luck, plant, and home create a vivid and multifaceted approach that is as remarkable for its humor as for its scholarly complexity.

Engaging with Deleuze, Guattari, and Bakhtin, among others, Bleak Joys captures the modes of crises that constitute our present ecological and political condition, and reckons with the means by which they are not simply aesthetically known but aesthetically manifest.”

Publisher University of Minnesota Press, Minneapolis, 2019
Posthumanities series, 53
ISBN 9781517905521, 1517905524
xxviii+192 pages

Publisher
WorldCat

PDF (6 MB)