Richard Barbrook: Class Wargames: Ludic Subversion Against Spectacular Capitalism (2014)

“Why should radicals be interested in playing wargames? Surely the Left can have no interest in such militarist fantasies? Yet, Guy Debord – the leader of the Situationist International – placed such importance on his invention of The Game of War that he described it as the most significant of his accomplishments.

Intrigued by this claim, a multinational group of artists, activists and academics formed Class Wargames to investigate the political and strategic lessons that could be learnt from playing his ludic experiment. While the ideas of the Situationists continue to be highly influential in the development of subversive art and politics, relatively little attention has been paid to their strategic orientation. Determined to correct this deficiency, Class Wargames is committed to exploring how Debord used the metaphor of the Napoleonic battlefield to propagate a Situationist analysis of modern culture and politics. Inspired by his example its members have also hacked other military simulations: H.G. Wells’ Little Wars; Chris Peers’ Reds versus Reds and Richard Borg’s Commands & Colors. Playing wargames is not a diversion from politics: it is the training ground of tomorrow’s communist insurgents.

Fusing together historical research on avant-garde artists, political revolutionaries and military theorists with narratives of five years of public performances, Class Wargames provides a strategic and tactical manual for subverting the economic, political and ideological hierarchies of early-21st century neoliberal capitalism. The knowledge required to create a truly human civilisation is there to be discovered on the game board!” (from the back cover)

Publisher Minor Compositions, an imprint of Autonomedia, 2014
Creative Commons BY-NC 3.0 Licence
ISBN 9781570272936
444 pages
via Marcell

Publisher

PDF (8 MB)
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See also Guy Debord’s ‘The Game of War’ – The Film (26 min, c2011)

Wang Hui: The End of the Revolution: China and the Limits of Modernity (2009)

“A compelling examination of the future of Chinese modernity by the leading member of China’s “New Left.”

Challenging both the bureaucratic one-party regime and the Western neoliberal paradigm, China’s leading critic shatters the myth of progress and reflects upon the inheritance of a revolutionary past. In this original and wide-ranging study, Wang Hui examines the roots of China’s social and political problems, and traces the reforms and struggles that have led to the current state of mass depoliticization.

Arguing that China’s revolutionary history and its current liberalization are part of the same discourse of modernity, Wang Hui calls for alternatives to both its capitalist trajectory and its authoritarian past.

From the May Fourth Movement to Tiananmen Square, The End of the Revolution offers a broad discussion of Chinese intellectual history and society, in the hope of forging a new path for China’s future.”

Publisher Verso, London, 2011
ISBN 1844673790, 9781844673797
274 pages

Review: Jeffrey Wasserstrom (Los Angeles Times, 2010).

Publisher

PDF (updated on 2021-1-25)

John McMillian: Smoking Typewriters: The Sixties Underground Press and the Rise of Alternative Media in America (2011)

How did the New Left uprising of the 1960s happen? What caused millions of young people-many of them affluent and college educated-to suddenly decide that American society needed to be completely overhauled?

In Smoking Typewriters, historian John McMillian shows that one answer to these questions can be found in the emergence of a dynamic underground press in the 1960s. Following the lead of papers like the Los Angeles Free Press, the East Village Other, and the Berkeley Barb, young people across the country launched hundreds of mimeographed pamphlets and flyers, small press magazines, and underground newspapers. New, cheaper printing technologies democratized the publishing process and by the decade’s end the combined circulation of underground papers stretched into the millions. Though not technically illegal, these papers were often genuinely subversive, and many of those who produced and sold them-on street-corners, at poetry readings, gallery openings, and coffeehouses-became targets of harassment from local and federal authorities. With writers who actively participated in the events they described, underground newspapers captured the zeitgeist of the ’60s, speaking directly to their readers, and reflecting and magnifying the spirit of cultural and political protest. McMillian pays special attention to the ways underground newspapers fostered a sense of community and played a vital role in shaping the New Left’s highly democratic “movement culture.”

Deeply researched and eloquently written, Smoking Typewriters captures all the youthful idealism and vibrant tumult of the 1960s as it delivers a brilliant reappraisal of the origins and development of the New Left rebellion.

Publisher Oxford University Press, 2011
ISBN 0195319923, 9780195319927
304 pages

review (Dan Berger, International Journal of Communication)
review (Kirkus Reviews)
review (Russ Smith, The Wall Street Journal)
interview with the author (video, 48 min)

publisher
google books

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